scene, are disfigured
and perplexed by mistakes arising either from the ignorance or the
carelessness of the artist.
We must bear in mind that the Riposo, properly so called, is not
merely the Holy Family seated in a landscape; it is an episode of
the Flight into Egypt, and is either the rest on the journey, or at
the close of the journey; quite different scenes, though all go by
the same name. It is not an ideal religious group, but a reality, a
possible and actual scene; and it is clear that the painter, if he
thought at all, and did not merely set himself to fabricate a pretty
composition, was restricted within the limits of the actual and
possible, at least according to the histories and traditions of the
time. Some of the accessories introduced would stamp the intention at
once; as the date tree, and Joseph gathering dates; the ass feeding in
the distance; the wallet and pilgrim's staff laid beside Joseph; the
fallen idols; the Virgin scooping water from a fountain; for all these
are incidents which properly belong to the Riposo.
It is nowhere recorded; either in Scripture or in the legendary
stories, that Mary and Joseph in their flight were accompanied by
Elizabeth and the little St. John; therefore, where either of these
are introduced, the subject is not properly a _Riposo_, whatever the
intention of the painter may have been: the personages ought to be
restricted to the Virgin, her Infant, and St. Joseph, with attendant
angels. An old woman is sometimes introduced, the same who is
traditionally supposed to have accompanied them in their flight. If
this old woman be manifestly St. Anna or St. Elizabeth, then it is not
a _Riposo_, but merely a _Holy Family_.
It is related that the Holy Family finally rested, after their long
journey, in the village of Matarea, beyond the city of Hermopolis (or
Heliopolis), and took up their residence in a grove of sycamores, a
circumstance which gave the sycamore tree a sort of religions interest
in early Christian times. The crusaders imported it into Europe; and
poor Mary Stuart may have had this idea, or this feeling when she
brought from France, and planted in her garden, the first sycamores
which grew in Scotland.
Near to this village of Matarea, a fountain miraculously sprung up
for the refreshment of the Holy Family. It still exists, as we
are informed by travellers, and is still styled by the Arabs, "The
Fountain of Mary."[1] This fountain is frequently represen
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