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feeling of fellowship may have become weakened. Not that the actress was in any sense snobbish; rather let it be said that the circumstances of her celebrity proved quite enough, in the course of human affairs, to separate her from the other players. Indeed, one of her biographers relates that Oldfield always went in state to Drury Lane, accompanied by two footmen, and that she seldom spoke to any one of the actors.[A] [Footnote A: She always went to the house (_i.e._, the theatre) in the same dress she had worn at dinner in her visits to the houses of great people; for she was much caressed on account of her general merit, and her connection with Mr. Churchill. She used to go to the playhouse in a chair, attended by two footmen; she seldom spoke to any one of the actors, and was allowed a sum of money to buy her own clothes.--"General Biographical Dictionary."] Nance may have made her entry into the green-room amid royal auspices, but who can for a second believe that "she seldom spoke to any one of the actors"? There was in her composition too much of sunshine to warrant any such belief, and then we know that behind the scenes she was ever affable and friendly. If she did not brook familiarity which comes of contempt, and if she moved about among her companions with dignity, then so much the better. Of Nance's sweetness of temper and sterling common-sense, Cibber has left us an attractive memory. It seems that when the Drury Lane management determined to revive "The Provoked Wife" of Sir John Vanbrugh (January 1726), Colley suggested that Wilks should take a rest during the run of the piece, and allow Barton Booth to play the lover, Constant. The idea did not meet with Wilks' approval; "down dropt his brow, and fur'd were his features"; and the green-room became the scene of a violent spat between Cibber and himself, with Mrs. Oldfield and other members of the company as excited listeners. Finally the author of the "Apology" said: "Are you not every day complaining of your being over-labour'd? And now, upon the first offering to ease you, you fly into a passion, and pretend to make that a greater grievance than t'other: But, Sir, if your being in or out of the play is a hardship, you shall impose it upon yourself: The part is in your hand, and to us it is a matter of indifference now whether you take it or leave it." [Illustration: SIR JOHN VANBRUGH By Sir GODFREY KNELLER] Upon this Mr. Wilks "threw down t
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