originally written in a strain
very different from the present; and that much must have been softened,
altered, and erased, ere a play, designed to gratulate the discovery of
the Rye-house Plot, could, without hazard, be acted after the
Revolution. The odious, though necessary, task of defacing his own
labours, was sufficiently disgusting to the poet, who complains, that
"not to offend the present times, nor a government which has hitherto
protected me, I have been obliged so much to alter the first design, and
take away so many beauties from the writing, that it is now no more what
it was formerly, than the present ship of the Royal Sovereign, after so
often taking down and altering is the vessel it was at the first
building." Persevering in the prudent system of seeking patrons among
those whose patronage was rendered effectual by their influence with the
prevailing party, Dryden prefixed to "King Arthur" a beautiful
dedication to the Marquis of Halifax, to whose cautious and nice policy
he ascribes the nation's escape from the horrors of civil war, which
seemed impending in the latter years of Charles II; and he has not
failed, at the same time, to pay a passing tribute to the merits of his
original and good-humoured master. The music of "King Arthur" being
composed by Purcel, gave Dryden occasion to make that eminent musician
some well-deserved compliments which were probably designed as a
peace-offering for the injudicious preference given to Grabut in the
introduction to "Albion and Albanius."[40] The dances were composed by
Priest; and the whole piece was eminently successful. Its good fortune,
however, was imputed, by the envious, to a lively song in the last
act,[41] which had little or nothing to do with the business of the
piece. In this opera ended all the hopes which the world might entertain
of an epic poem from Dryden on the subject of King Arthur.
Our author was by no means so fortunate in "Cleomenes," his next
dramatic effort. The times were something changed since the Revolution
The Tories, who had originally contributed greatly to that event, had
repented them of abandoning the Stuart family, and, one after another,
were returning to their attachment to James. It is probable that this
gave new courage to Dryden, who although upon the accession of King
William he saw himself a member of an odious and proscribed sect, now
belonged to a broad political faction, which a variety of events was
daily increa
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