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The Project Gutenberg eBook, A History of English Romanticism in the Nineteenth Century, by Henry A. Beers This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A History of English Romanticism in the Nineteenth Century Author: Henry A. Beers Release Date: May 28, 2005 [eBook #15931] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK A HISTORY OF ENGLISH ROMANTICISM IN THE NINETEENTH CENTURY*** E-text prepared by Al Haines A HISTORY OF ENGLISH ROMANTICISM IN THE NINETEENTH CENTURY by HENRY A. BEERS Author of _A Suburban Pastoral_, _The Ways of Yale_, etc. New York Henry Holt and Company 1918 ROMANCE My love dwelt in a Northern land. A grey tower in a forest green Was hers, and far on either hand The long wash of the waves was seen, And leagues on leagues of yellow sand, The woven forest boughs between. And through the silver Northern light The sunset slowly died away, And herds of strange deer, lily-white, Stole forth among the branches grey; About the coming of the light, They fled like ghosts before the day. I know not if the forest green Still girdles round that castle grey; I know not if the boughs between The white deer vanish ere the day; Above my love the grass is green, My heart is colder than the clay. ANDREW LANG. PREFACE. The present volume is a sequel to "A History of English Romanticism in the Eighteenth Century" (New York; Henry Holt & Co., 1899). References in the footnotes to "Volume I." are to that work. The difficulties of this second part of my undertaking have been of a kind just opposite to those of the first. As it concerns my subject, the eighteenth century was an age of beginnings; and the problem was to discover what latent romanticism existed in the writings of a period whose spirit, upon the whole, was distinctly unromantic. But the temper of the nineteenth century has been, until recent years, prevailingly romantic in the wider meaning of the word. And as to the more restricted sense in which I have chosen to employ it, the mediaevalising literature of the nineteenth century is at le
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