FREE BOOKS

Author's List




PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  
ations of his poems, such as Mr. Yeats wrote in his notes to _The Wind Among the Reeds_, the most entirely good of his books. Consider, for example, the note which he wrote on that charming if somewhat perplexing poem, _The Jester_. "I dreamed," writes Mr. Yeats:-- I dreamed this story exactly as I have written it, and dreamed another long dream after it, trying to make out its meaning, and whether I was to write it in prose or verse. The first dream was more a vision than a dream, for it was beautiful and coherent, and gave me a sense of illumination and exaltation that one gets from visions, while the second dream was confused and meaningless. The poem has always meant a great deal to me, though, as is the way with symbolic poems, it has not always meant quite the same thing. Blake would have said, "The authors are in eternity"; and I am quite sure they can only be questioned in dreams. Why, even those of us who count Mr. Yeats one of the immortals while he is still alive, are inclined to shy at a claim at once so solemn and so irrational as this. It reads almost like a confession of witchcraft. Luckily, Mr. Yeats's commerce with dreams and fairies and other spirits has not all been of this evidential and disputable kind. His confessions do not convince us of his magical experiences, but his poems do. Here we have the true narrative of fairyland, the initiation into other-worldly beauty. Here we have the magician crying out against All things uncomely and broken, all things worn out and old, and attempting to invoke a new--or an old--and more beautiful world into being. The wrong of unshapely things is a wrong too great to be told, he cries, and over against the unshapely earth he sets up the "happy townland" of which he sings in one of his later and most lovely poems. It would not be easy to write a prose paraphrase of _The Happy Townland_, but who is there who can permanently resist the spell of this poem, especially of the first verse and its refrain?-- There's many a strong farmer Whose heart would break in two, If he could see the townland That we are riding to; Boughs have their fruit and blossom At all times of the year; Rivers are running over With red beer and brown beer. An old man plays the bagpipes In a golden and silver wood; Queens, their eyes blue like the ice, Are dancing
PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  



Top keywords:

dreamed

 

things

 

beautiful

 

dreams

 

townland

 

unshapely

 

invoke

 
initiation
 

worldly

 

fairyland


attempting

 

narrative

 

beauty

 

broken

 

magician

 

crying

 
uncomely
 

farmer

 

running

 

Rivers


blossom

 

bagpipes

 

dancing

 

Queens

 

golden

 

silver

 
Boughs
 

resist

 

permanently

 

refrain


Townland

 

lovely

 

paraphrase

 

riding

 

strong

 

inclined

 

meaning

 

vision

 
coherent
 

visions


confused
 
meaningless
 

illumination

 
exaltation
 

written

 
ations
 

Consider

 

perplexing

 

Jester

 

writes