otep III., who
reigned in the eighteenth dynasty, about 1430 B.C. Strabo, ed. 1807. p.
1155, was the first to record the musical note which sounded from the
statue when it was touched by the rays of the rising sun. It used to be
argued (see Gifford's note to _Don Juan_, Canto XIII. stanza lxiv. line
3, ed. 1837, p. 731) that the sounds were produced by a trick, but of
late years it has been maintained that the Memnon's wail was due to
natural causes, the pressure of suddenly-warmed currents of air through
the pores and crevices of the stone. After the statue was restored, the
phenomenon ceased. (See _La statue vocale de Memnon_, par J. A. Letronne,
Paris, 1833, pp. 55, 56.)]

[df] _We'll add a "Count" to it_.--[MS.]

[dg] {498} ----_my eyes are full_.--[MS.]

[230] [Charles de Bourbon, Comte de Montpensier et de la Marche, Dauphin
d'Auvergne, was born February 17, 1490. He served in Italy with Bayard,
and helped to decide the victory of Agnadello (A.D. 1510). He was
appointed Constable of France by Francis I., January, 1515, and fought
at the battle of Marignano, September 13, 1515. Not long afterwards he
lost the king's favour, who was set against him by his mother, Louise de
Savoie; was recalled from his command in Italy, and superseded by Odet
de Foix, brother of the king's mistress. It was not, however, till he
became a widower (Susanne, Duchesse de Bourbon, died April 28, 1521)
that he finally broke with Francis and attached himself to the Emperor
Charles V. _Madame_, the king's mother, not only coveted the vast
estates of the house of Bourbon, but was enamoured of the Constable's
person, and, so to speak, gave him his choice between marriage and a
suit for his fiefs. Charles would have nothing to say to the lady's
proposals or to her son's entreaties, and seeing that rejection meant
ruin, he "entered into a correspondence with the Emperor and the King
[Henry VIII.] of England ... and, finding this discovered, went into the
Emperor's service."

After various and varying successes, both in the South of France and in
Lombardy, he found himself, in the spring of 1527, not so much the
commander-in-chief as the popular _capo_ of a mixed body of German,
Spanish, and Italian _condottieri_, unpaid and ill-disciplined, who had
mutinied more than once, who could only be kept together by the prospect
of unlimited booty, and a timely concession to their demands. "To Rome!
to Rome!" cried the hungry and tumultuous _landskne