ons and customs were also made over to his use.]
[Footnote 5: King James delighted in calling the Duke of Buckingham
"Steenie," as has been already instanced in the letter quoted, p. 463,
Vol. I. This was not the duke's Christian name, but was invented for him
by his royal master, who fancied his features resembled those usually
given to St. Stephen, and whose face was usually depicted in accordance
with the description in Acts vi. 15, "as it had been the face of an
angel."]
[Footnote 6: The great exhibition of fireworks at Rome, at the castle of
St. Angelo, during the festivities of the Holy Week, preserve the
character of the displays of fireworks adopted on great occasions in the
seventeenth century. An enormous explosion of squibs, crackers, and
rockets was the _tour de force_ in such celebrations. The volume
describing the entry of Louis XIII. to Lyons in 1624, contains an
engraving of the fireworks constructed on barges in the river on that
occasion; a blazing crowned sun, surrounded by a wheel of stars, squibs,
star-rockets, and water-serpents flying about it, composed the _feu
d'artifice_. In the volume descriptive of the rejoicings in the same
city on the ratification of peace between France and Spain in 1660, are
several engravings in which fireworks are shown, but they exhibit no
novelties, being restricted to rockets and pots of fire bursting into
coloured stars. Henry Van Etten's "Mathematical Recreations," 1633,
notes the principal "artificial fireworks" then in use, and gives
engravings of several, and instructions to make them. Rockets,
fire-balls, stars, golden-rain, serpents, and Catharine wheels are the
principal noted. "Fierie dragons combatant" running on lines, and filled
with fireworks, were the greatest stretch of invention at this time; and
our author says they may be made "to meete one another, having lights
placed in the concavity of their bodies, which will give great grace to
the action."]
[Footnote 7: Specimens of most of these modes of writing may be seen at
the British Museum. No. 3478, in the Sloanian library, is a Nabob's
letter, on a piece of bark, about two yards long, and richly ornamented
with gold. No. 3207 is a book of Mexican hieroglyphics, painted on bark.
In the same collection are various species, many from the Malabar coast
and the East. The latter writings are chiefly on leaves. There are
several copies of Bibles written on palm leaves. The ancients,
doubtless, wrote o
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