dramatization of a visit to the planted field after the lapse of a few
weeks. Life has been stirring in the kernels of corn that had been hidden
within the little hills, and the kernels now call to those who had planted
them to come and see what was taking place.

_Properties_.--The same as those used in the preceding dance. Both the boys
and the girls should wear the same costume as in Dance II.

_Directions_.--The scene should be the same as in Dance II. The "field" to
be visited should be in the same place as the space set apart for the
"field" where the little hills were made and planted.

A part of the boys should act as guards of the "field" as before. A few
should scatter among the girls and join in looking at the sprouting corn as
it breaks through the soil, and these should join in singing the song.

At the opening of the dance the dancers should be discovered standing in
groups as though they had accidentally met as neighbors of the same
village. They should stand at the same place whence they had started to go
to the "field" in the preceding dance. The groups should be talking in dumb
show. Suddenly each group should act as if its attention had been arrested
by a sound, and while in this attitude of arrested attention all should
begin to sing the following song:

Song

1

A call I hear!
Hark! soft the tones and weak.
Again the call!
Come! our feet that call must seek.

_Refrain_: Hey hey they,
Ah hey hey they,
Ah hey hey they,
Again the call!
Ah hey hey they,
Ah hey hey they,
Ah hey hey they,
Ah hey they.

[Music]

This dramatic dance will require to be rehearsed and the details planned by
the dancers, so that a clear picture may be brought out and also the native
poetic thought embodied in the Ritual Song from which it is taken. A few
hints can be given, but much of the action must depend upon the imagination
and dramatic feeling of the dancers.

As the first line, "A call I hear!" is sung some one should raise the hand
toward the ear, another raise it as a warning to keep quiet. The line
"Hark! soft the tones and weak" is an address to one another in the groups.
Then comes another sudden arrest, "Again the call!" These three lines
should be sung without any change of position either by the groups or by
the individuals. Action should be confined to the hands and the head. When
singi