ey are hidden on the left. They enter with light
springing steps, singing:
Song No. 3
SONG OF THE WILD-ROSES
Wild-roses come all bright and gay,
Blushing red like dawn of day;
Dancing come they, full of play,
Hiding all their thorns away.
Wild-roses come all bright and gay,
Blushing red like dawn of day,
Dancing come they, full of play.
[Music]
The Wild-roses dance about gaily; they circle the quiet little clumps of
Violets that remain seated. The Wild-roses frolic around the Caller,
capering about in wild freedom but keeping their steps in exact time with
their song. Finally they pause in groups at the left.
After a moment, the Caller moves toward the rear of the open space and
while there once again sings:
Song No. 1
CALL TO THE FLOWERS
[See page 42]
At the close of the song the dancers who are to represent the Daisies give
a trilling shout and appear from the rear of the open space, skipping;
their leader holds the end of a long green rope, which is caught hold of by
each dancer who follows, all singing:
Song No. 4
SONG OF THE DAISIES
Up from meadows free,
Coming full of glee,
Troop the Daisies white,
Dancing in the light,
All skipping blithe and gay.
Now we make a chain,
Singing as we twine
Then back into line--
Merry at play!
[Music]
As the Daisies skip in the open space, the dancers are widely separated as
they hold on to the rope; at the words "Now we make a chain" the Violets,
who had risen as the Daisies entered, move toward the string of dancers;
the Wild-roses also come toward the chain and grasp the green rope. The
colors of the flowers should alternate and all the Flowers should have hold
of the rope and cling to it as to a great green stem. Then all circle
around the Caller, who is the last to grasp the stem. As all the Flowers
dance they repeat Song No. 4, beginning at the words "Troop the Daisies
white," etc.
This chain of flowers should make, as they dance, interweaving figures.
These can be left to the fancy of the dancers, but just what they are to be
must be decided upon beforehand and rehearsed; otherwise the dance will not
be successful and pleasing.
The dances for each kind of flower will require practice, for the character
of each flower should be well brought out; the gentleness of the Violets
can make a charming contrast to the waywardness of the Wild-roses and the
pliant Daisies who are at home
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