When the words "Blue
Sky!" are sung the flags should be raised aloft and waved in rhythm and
then returned to the previous level. The song should be repeated several
times and the figure maintained as the singers face the North, West, South
and back to the East. Then the dancers should break into groups and, still
singing the song and dancing rhythmically, disperse to their tents.
The He-de Wa-chi
AN OMAHA FESTIVAL OF JOY
INTRODUCTORY NOTE.--For centuries the home of the Omaha tribe has been in
the region now known as the State of Nebraska, north of the city which
bears their name. There they dwelt in permanent villages, surrounded by
their garden plots of corn, beans, squashes, etc. From these villages every
year in June all the tribes except the sick and infirm went forth to follow
the buffalo herds in order to obtain their supply of meat and pelts. As
this tribal hunt was essential to the needs of the life of the people, it
was a very serious affair, initiated with religious ceremonies and
conducted under strict rules enforced by duly appointed officers. It was at
the close of this great tribal hunt, when food and clothing had been
secured, while Summer lingered and the leaves had not yet begun to fall, so
that brightness was still over the land, that this Festival of Joy took
place. Like all Indian ceremonies, the He-de Wa-chi embodied a teaching
that was for the welfare of the tribe, a teaching drawn from nature and
dramatically enacted by the people. The Omaha tribe was made up of ten
distinct groups, each one having its own name, a set of names for those
born within the group, and certain religious symbols and ceremonies
committed to its care. By tribal rites and regulations these ten distinct
groups were welded together to form the tribe, whose strength and
prosperity depended upon internal harmony and unity.
The He-de Wa-chi taught the people what this unity really stood for. The
central object of the ceremony was a tree, which was the symbol of the
tribe; its branches were as the different groups composing the tribe, the
twigs that made up the branches were as the individuals that formed the
groups.
The Omaha had special ceremonies for the preparation of the central object.
They cut a tree, left a tuft of branches at the top and painted the trunk
in alternate bands of red and black. The red bands represented day, the
black, night; the decoration as a whole stood for the continuity of life.
This
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