t they
break into the same song which they sang on the return from making and
planting the little hills:
[Music]
The dancers should keep up the song and rhythmic dance until their
individual tents are reached.
DANCE IV
INTRODUCTORY NOTE.--This dance, taken from the Corn Ritual, represents a
visit to the field later in the season when the harvest time is near at
hand. The keynote of this visit is in a line of one of the many stanzas of
the original Ritual Song, "I go in readiness of mind." The mind is assured,
prepared to find in the place where the "footprints" had been made, where
the little kernels had broken the covering of earth to reach "the light of
day," that these have now grown tall and strong under the summer sun and
are "standing in the fulness of day." This assurance is justified, for the
corn is found ready to pluck, and some of its ears are joyously carried to
the people at home.
_Properties_.--The same costumes as those worn by the boys and girls in
Dance II and III. The green scarfs used in Dance I will be needed in the
latter part of this dance; these can be folded and carried in the pouches
and pockets.
_Directions_.--The scene should be laid in the same place as the two
preceding dances and the dancers should gather at the same spot whence they
started to the "field" in Dance II and III.
The dancers, both boys and girls, should be discovered standing in an open
group talking together in dumb show, evidently discussing the probabilities
as to the ripening of the corn. They may have been saying: "Already the
boys are shouting, The cattail is in bloom!" This was a sign that the time
had come for the corn to be ripe. Some one whose mind was "in readiness"
makes the suggestion (in pantomime) to go to the "field"; to this all
agree, and the group breaks into lines as the boy and girl dancers sing the
following song:
Song
1
In readiness of mind to the field we go,
Where we footprints made, there stately jointed stalks grow.
Loud rustle the long leaves, bright the tassels wave o'er each row.
_Refrain_: Ah hey hey hey they,
Ah hey hey they,
Ah hey hey hey they,
Ah hey hey they,
Ah hey they.
[Music]
The steps of the dancers must be in rhythm with the song and all movements
should indicate a feeling of assurance. When the "field" is reached certain
motions of the feet should suggest a memory of the "footprints." Th
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