sy,
But, like a mouse, her idle heart
Is captured by a pussy_.
Much better than these is the sonnet on the cat of the Duchess of
Lesdiguieres, with its admirable line:
_Chatte pour tout le monde, et pour les chats tigresse_.
A fugitive epistle by Scarron, delightfully turned, is too long to be
quoted here, nor can I pause to cite the rondeau which the Duchess of
Maine addressed to her favourite. But she supplemented it as follows:
_My pretty puss, my solace and delight,
To celebrate thy loveliness aright
I ought to call to life the bard who sung
Of Lesbia's sparrow with so sweet a tongue;
But 'tis in vain to summon here to me
So famous a dead personage as he,
And you must take contentedly to-day
This poor rondeau that Cupid wafts your way_.
When this cat died the Duchess was too much affected to write its
epitaph herself, and accordingly it was done for her, in the following
style, by La Mothe le Vayer, the author of the _Dialogues_:
_Puss passer-by, within this simple tomb
Lies one whose life fell Atropos hath shred;
The happiest cat on earth hath heard her doom,
And sleeps for ever in a marble bed.
Alas! what long delicious days I've seen!
O cats of Egypt, my illustrious sires,
You who on altars, bound with garlands green,
Have melted hearts, and kindled fond desires,--
Hymns in your praise were paid, and offerings too,
But I'm not jealous of those rights divine.
Since Ludovisa loved me, close and true,
Your ancient glory was less proud than mine.
To live a simple pussy by her side
Was nobler far than to be deified_.
To these and other tributes Moncrif adds idyls and romances of his
own, while regretting that it never occurred to Theocritus to write a
_bergerie de chats_. He tells stories of blameless pussies beloved
by Fontanelle and La Fontaine, and quotes Marot in praise of "the
green-eyed Venus." But he tears himself away at last from all these
historical reminiscences, and in his eleventh letter he deals with
cats as they are. We hasten as lightly as possible over a story of the
disinterestedness of a feline Heloise, which is too pathetic for a
nineteenth-century ear. But we may repeat the touching anecdote of
Bayle's friend, Mlle. Dupuy. This lady excelled to a surprising
degree in playing the harp, and she attributed her excellence in this
accomplishment to her cat, whose critical taste was only equalled by
his close attentio
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