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nt on glass The Sovereign's blurr'd and indistinguished face, The threatening angel and the speaking ass_. But she will wander at sundown through the exquisite woods of Eastwell, and will watch the owlets in their downy nest or the nightingale silhouetted against the fading sky. Then her constitutional depression passes, and she is able once more to be happy: _Our sighs are then but vernal air, But April-drops our tears_, as she says in delicious numbers that might be Wordsworth's own. In these delightful moments, released from the burden of her tyrant malady, her eyes seem to have been touched with the herb euphrasy, and she has the gift, denied to the rest of her generation, of seeing nature and describing what she sees. In these moods, this contemporary of Dryden and Congreve gives us such accurate transcripts of country life as the following: _When the loos'd horse now, as his pasture leads, Comes slowly grazing through the adjoining meads, Whose stealing face and lengthened shade we fear, Till torn-up forage in his teeth we hear; When nibbling sheep at large pursue their food, And unmolested kine rechew the cud: When curlews cry beneath the village-walls, And to her straggling brood the partridge calls_. In Eastwell Park there was a hill, called Parnassus, to which she was particularly partial, and to this she commonly turned her footsteps. Melancholy as she was, however, and devoted to reverie, she could be gay enough upon occasion, and her sprightly poems have a genuine sparkle. Here is an anacreontic--written "for my brother Leslie Finch"--which has never before been printed: _From the Park, and the Play, And Whitehall, come away To the Punch-bowl by far more inviting; To the fops and 'the beaux Leave those dull empty shows, And see here what is truly delighting. The half globe 'tis in figure, And would it were bigger, Yet here's the whole universe floating; Here's titles and places, Rich lands, and fair faces, And all that is worthy our doting. 'Twas a world like to this The hot Grecian did miss, Of whom histories keep such a pother; To the bottom he sunk, And when he had drunk, Grew maudlin, and wept for another_. At another point, Anne Finch bore very little likeness to her noisy sisterhood of fashion. In an age when it was the height of ill-breeding for a wife to admit a partiality for her husband, Ardelia was not
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