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The Project Gutenberg EBook of A History of the French Novel, Vol. 2, by George Saintsbury This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A History of the French Novel, Vol. 2 To the Close of the 19th Century Author: George Saintsbury Release Date: January 22, 2009 [EBook #27872] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HISTORY OF FRENCH NOVEL, VOL. 2 *** Produced by Lee Dawei, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. A HISTORY OF THE FRENCH NOVEL MACMILLAN AND CO., LIMITED LONDON . BOMBAY . CALCUTTA . MADRAS MELBOURNE THE MACMILLAN COMPANY NEW YORK . BOSTON . CHICAGO DALLAS . SAN FRANCISCO THE MACMILLAN CO. OF CANADA, LTD. TORONTO A HISTORY OF THE FRENCH NOVEL (TO THE CLOSE OF THE 19TH CENTURY) BY GEORGE SAINTSBURY M.A. AND HON. D.LITT. OXON.; HON. L.L.D. ABERD.; HON. D.LITT. DURH.; FELLOW OF THE BRITISH ACADEMY; HON. FELLOW OF MERTON COLLEGE, OXFORD; LATE PROFESSOR OF RHETORIC AND ENGLISH LITERATURE IN THE UNIVERSITY OF EDINBURGH VOL. II FROM 1800 TO 1900 MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1919 Solo a veces, con un dejo de zozobra y de ansiedad, timido tiembla en sus labios un viejo y triste cantar, copla que vibre en el aire como un toque funeral: _La Noche Buena se viene, la Noche Buena se va! Y nosotros nos iremos y no volveremos mas._ CARLOS FERNANDEZ SHAW, _La Balada de los Viejos._ COPYRIGHT PREFACE "The second chantry" (for it would be absurd to keep "temple") of this work "is not like the first"; in one respect especially, which seems to deserve notice in its Preface or porch--if a chantry may be permitted a porch. In Volume I.--though many of its subjects (not quite all) had been handled by me before in more or less summary fashion, or in reviews of individual books, or in other connections than that of the novel--only Hamilton, Lesage, Marivaux, and the minor "Sensibility" men and women had formed the subjects of separate and somewhat detailed studies, wholly or mainly as novelists. The case is alt
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