ed. On the contrary
he was a diligent student of Greek and Latin literature, and translated
many of the poetical masterpieces in those languages into Dutch verse.
Indeed so close was his study that it marred much of his own work.
Vondel wrote a great number of dramas, but his close imitation of the
Greek model with its chorus, and his strict adherence to the unities,
render them artificial in form and lacking in movement and life. This is
emphasised by the fact that many of them are based on Scriptural themes,
and by the monotony of the Alexandrine metre in which all the dialogues
are written. It is in the choruses that the poetical genius of Vondel is
specially displayed. Lyrical gems in every variety of metre are to be
found in the Vondelian dramas, alike in his youthful efforts and in
those of extreme old age. Of the dramas, the finest and the most famous
is the _Lucifer_, 1654, which treats of the expulsion of Lucifer and his
rebel host of angels from Heaven. We are here in the presence of a
magnificent effort to deal grandiosely with a stupendous theme. The
conception of the personality of Lucifer is of heroic proportions; and a
comparison of dates renders it at least probable that this Dutch drama
passed into John Milton's hands, and that distinct traces of the
impression it made upon him are to be found in certain passages of the
_Paradise Lost_. Vondel also produced hundreds of occasional pieces,
besides several lengthy religious and didactic poems. He even essayed an
epic poem on Constantine the Great, but it was never completed. Of the
occasional poems the finest are perhaps the triumph songs over the
victories of Frederick Henry, and of the great admirals Tromp and De
Ruyter.
Jacob Cats (1577-1660) lived, like Vondel, to a great age, but in very
different circumstances. He was a native of Dordrecht and became
pensionary of that town, and, though not distinguished as a statesman or
politician, he was so much respected for his prudence and moderation
that for twenty-two years he filled the important office of
Council-Pensionary of Holland and was twice sent as an Envoy
Extraordinary to England. He was a prolific writer and was undoubtedly
the most popular and widely-read of the poets of his time. His works
were to be found in every Dutch homestead, and he was familiarly known
as "Father Cats." His gifts were, however, of a very different order
from those of Vondel. His long poems dealt chiefly with the events
|