FREE BOOKS

Author's List




PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   >>   >|  
of which was due to a Dutchman, Cornelius Drebbel) was the favourite instrument of his patient investigations, and he was able greatly to improve its mechanism and powers. Among the results of his labours was the discovery of the infusoria, and the collection of a valuable mass of information concerning the circulation of the blood and the structure of the eye and brain. Swammerdam was a naturalist who devoted himself to the study of the habits and the metamorphoses of insects, and he may be regarded as the founder of this most important branch of scientific enquiry. His work forms the basis on which all subsequent knowledge on this subject has been built up. To say that the school of Dutch painting attained its zenith in the period of Frederick Henry and the decades which preceded and followed it, is scarcely necessary. It was the age of Rembrandt. The works of that great master and of his contemporaries, most of whom were influenced and many dominated by his genius, are well known to every lover of art, and are to be seen in every collection of pictures in Europe. One has, however, to visit the Rijks Museum at Amsterdam and the Mauritshuis at the Hague to appreciate what an extraordinary outburst of artistic skill and talent had at this time its birth within the narrow limits of the northern Netherlands. To the student of Dutch history these two galleries are a revelation, for there we see 17th century Holland portrayed before us in every phase of its busy and prosperous public, social and domestic life. Particularly is this the case with the portraits of individuals and of civic and gild groups by Rembrandt, Frans Hals, Van der Helst and their followers, which form an inimitable series that has rarely been equalled. To realise to what an extent in the midst of war the fine arts flourished in Holland, a mere list of the best-known painters of the period will suffice, it tells its own tale. They are given in the order of their dates: Frans Hals (1584-1666), Gerard Honthorst (1592-1662), Jan van Goyen (1596-1656), Jan Wyvants (1600-87), Albert Cuyp (1606-72), Jan Lievens (1607-63), Rembrandt van Rhyn (1608-69), Gerard Terburg (1608-81), Adrian Brouwer (1608-41), Ferdinand Bol (1609-81), Salomon Koning (1609-74), Andreas Both (1609-60), Jan Both (1610-62), Adrian van Ostade (1610-85), Bartolomaus van der Helst (1613-70), Gerard Douw (1613-80), Gabriel Metzu (1615-58), Govaert Flinck (1615-60), Isaac van Ostade (1617-71)
PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   >>   >|  



Top keywords:
Rembrandt
 

Gerard

 

Adrian

 
period
 
collection
 
Ostade
 

Holland

 

followers

 

rarely

 

flourished


extent
 
Flinck
 

series

 

equalled

 

realise

 

inimitable

 

prosperous

 

public

 

portrayed

 

century


social
 

domestic

 

individuals

 
groups
 

portraits

 
Particularly
 
Lievens
 

Albert

 

Koning

 

Andreas


Salomon

 

Terburg

 
Brouwer
 
Ferdinand
 

Wyvants

 
Bartolomaus
 

suffice

 

painters

 

Gabriel

 

Honthorst


Govaert

 

outburst

 
insects
 

regarded

 
important
 
founder
 

metamorphoses

 

habits

 
naturalist
 

devoted