FREE BOOKS

Author's List




PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  
the human meaning of that decay of the leaves. Now to go back to the little creatures themselves. It seems that the upper part of the moss fibre is {21} especially _un_decaying among leaves; and the lower part, especially decaying. That, in fact, a plant of moss-fibre is a kind of persistent state of what is, in other plants, annual. Watch the year's growth of any luxuriant flower. First it comes out of the ground all fresh and bright; then, as the higher leaves and branches shoot up, those first leaves near the ground get brown, sickly, earthy,--remain for ever degraded in the dust, and under the dashed slime in rain, staining, and grieving, and loading them with obloquy of envious earth, half-killing them,--only life enough left in them to hold on the stem, and to be guardians of the rest of the plant from all they suffer;--while, above them, the happier leaves, for whom they are thus oppressed, bend freely to the sunshine, and drink the rain pure. The moss strengthens on a diminished scale, intensifies, and makes perpetual, these two states,--bright leaves above that never wither, leaves beneath that exist only to wither. 15. I have hitherto spoken only of the fading moss as it is needed for change into earth. But I am not sure whether a yet more important office, in its days of age, be not its use as a colour. We are all thankful enough--as far as we ever are so--for green moss, and yellow moss. But we are never enough grateful for black moss. The golden would be nothing without it, nor even the grey. It is true that there are black lichens enough, and {22} brown ones: nevertheless, the chief use of lichens is for silver and gold colour on rocks; and it is the dead moss which gives the leopard-like touches of black. And yet here again--as to a thing I have been looking at and painting all my life--I am brought to pause, the moment I think of it carefully. The black moss which gives the precious Velasquez touches, lies, much of it, flat on the rocks; radiating from its centres--powdering in the fingers, if one breaks it off, like dry tea. Is it a black species?--or a black-parched state of other species, perishing for the sake of Velasquez effects, instead of accumulation of earth? and, if so, does it die of drought, accidentally, or, in a sere old age, naturally? and how is it related to the rich green bosses that grow in deep velvet? And there again is another matter not clear to me. One calls them 'velvet' b
PREV.   NEXT  
|<   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37  
38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   >>   >|  



Top keywords:

leaves

 

touches

 

Velasquez

 

lichens

 

colour

 

wither

 

velvet

 

ground

 

decaying

 
bright

species
 
silver
 

naturally

 
related
 

matter

 
thankful
 
grateful
 

golden

 

yellow

 

bosses


accidentally

 

carefully

 
office
 
precious
 

moment

 

brought

 

fingers

 

powdering

 

centres

 

radiating


painting

 

accumulation

 

leopard

 

drought

 

breaks

 

effects

 

parched

 
perishing
 

perpetual

 

higher


flower

 

growth

 
luxuriant
 

branches

 

earthy

 

remain

 
degraded
 
sickly
 

creatures

 
meaning