lls, while now it has changed its course somewhat.
The entrance to the castle is approached under the shadow of the great
circular corner tower that stands out so boldly at one extremity of the
buildings, and the gate house has on either side semi-circular towers
fifty-two feet in height. Above the archway there are three floors
sparingly lighted by very small windows, one to each storey. They point out
the first floor as containing the torture chamber, and in the towers
adjoining are the hopelessly strong prisons. The iron bars are still in the
windows and in one instance the positions of the rings to which the
prisoners were chained are still visible.

There are still floors in the Eagle's tower that forms the boldest portion
of the castle, and it is a curious feature that the building is angular
inside although perfectly cylindrical on the exterior. Near the chateau you
may see the ruined chapel and the remains of the Salle des Chevaliers with
its big fireplace. Then higher than the entrance towers is the Tour
Coquesart built in the fifteenth century and having four storeys with a
fireplace in each. The keep is near this, but outside the present castle
and separated from it by a moat. The earliest parts of the castle all
belong to the eleventh century, but so much destruction was wrought by
Henry V. in 1417 that the greater part of the ruins belong to a few years
after that date. The name of Tancarville had found a place among the great
families of England before the last of the members of this distinguished
French name lost his life at the battle of Agincourt. The heiress of the
family married one of the Harcourts and eventually the possessions came
into the hands of Dunois the Bastard of Orleans.

From Tancarville there is a road that brings you down to that which runs
from Quilleboeuf, and by it one is soon brought to the picturesquely
situated little town of Lillebonne, famous for its Roman theatre. It was
the capital of the Caletes and was known as Juliabona, being mentioned in
the iters of Antoninus. The theatre is so well known that no one has
difficulty in finding it, and compared to most of the Roman remains in
England, it is well worth seeing. The place held no fewer than three
thousand people upon the semi-circular tiers of seats that are now covered
with turf. Years ago, there was much stone-work to be seen, but this has
largely disappeared, and it is only in the upper portions that many traces
of mason's