upon a heavy timber framework that is a picture in itself.

If you stay at the Hotel de l'Ecu de France you are quite close to the
castle that towers upon its hill right in the middle of the town. Most
people who come to Gisors are surprised to find how historic is its castle,
and how many have been the conflicts that have taken place around it. The
position between Rouen and Paris and on the frontier of the Duchy gave it
an importance in the days of the Norman kings that led to the erection of a
most formidable stronghold. In the eleventh century, when William Rufus was
on the throne of England, he made the place much stronger. Both Henry I.
and Henry II. added to its fortifications so that Gisors became in time as
formidable a castle as the Chateau Gaillard. During the Hundred Years' War,
Gisors, which is often spoken of as the key to Normandy, after fierce
struggles had become French. Then again, a determined assault would leave
the flag of England fluttering upon its ramparts until again the Frenchmen
would contrive to make themselves masters of the place. And so these
constant changes of ownership went on until at last about the year 1450, a
date which we shall find associated with the fall of every English
stronghold in Normandy, Gisors surrendered to Charles VII. and has remained
French ever since.

The outer baileys are defended by some great towers of massive Norman
masonry from which you look all over the town and surrounding country. But
within the inner courtyard rises a great mound dominated by the keep which
you may still climb by a solid stone staircase. From here the view is very
much finer than from the other towers and its commanding position would
seem to give the defenders splendid opportunities for tiring out any
besieging force. The concierge of the castle, a genial old woman of
gipsy-like appearance takes you down to the fearful dungeon beneath one of
the great towers on the eastern side, known as the Tour des Prisonniers.
Here you may see the carvings in the stone-work executed by some of the
prisoners who had been cast into this black abyss. These carvings include
representations of crucifixes, St Christopher, and many excellently
conceived and patiently wrought figures of other saints.

We have already had a fine view of the splendid Renaissance exterior of the
church which is dedicated to the Saints Gervais and Protais. The choir is
the earliest part of the building. It belongs to the thirteen