omplete armour and mounted upon his war-horse, but upon
the sarcophagus below he is shown with terrible reality as a naked corpse.
The sculptor was possibly Jean Goujon, whose name is sometimes associated
with the monument to the two Cardinals, which is of an earlier date.

The tomb of Rollo, the founder of the Duchy of Normandy, and the first of
the Normans to embrace the Christian religion, lies in a chapel adjoining
the south transept. The effigy belongs to the fourteenth century, but the
marble tablet gives an inscription which may be translated as follows:
"Here lies Rollo, the first Duke and founder and father of Normandy, of
which he was at first the terror and scourge, but afterwards the restorer.
Baptised in 912 by Francon, Archbishop of Rouen, and died in 917. His
remains were at first deposited in the ancient sanctuary, at present the
upper end of the nave. The altar having been removed, the remains of the
prince were placed here by the blessed Maurille, Archbishop of Rouen in the
year 1063." The effigy of William Longsword, Rollo's son, is in another
chapel of the nave, that adjoining the north transept. His effigy, like
that of his father, dates from the fourteenth century. It is in
surroundings of this character that we are brought most in touch with the
Rouen of our imaginations.

We have already in a preceding chapter seen something of the interior of
the church of St Ouen, which to many is more inspiring than the cathedral.
The original church belonged to the Abbey of St Ouen, established in the
reign of Clothaire I. When the Northmen came sailing up the river, laying
waste to everything within their reach, the place was destroyed, but after
Rollo's conversion to Christianity the abbey was renovated, and in 1046 a
new church was commenced, which having taken about eighty years to complete
was almost immediately burnt down. Another fire having taken place a
century later, Jean Roussel, who was Abbot in 1318, commenced this present
building. It was an enormous work to undertake but yet within twenty-one
years the choirs and transepts were almost entirely completed. This great
Abbot was buried in the Mary chapel behind the High Altar. On the tomb he
is called Marc d'Argent and the date of his death is given as December 7,
1339. After this the building of the church went on all through the
century. The man who was master mason in this period was Alexandre
Barneval, but he seems to have become jealous of an a