lock itself dates
from about 1389, and is as old as any in France. The dial you see to-day is
brilliantly coloured and has a red centre while the elaborate decoration
that covers nearly the whole surface of the walls is freely gilded, giving
an exceedingly rich appearance. The two fourteenth century bells, one known
as La Rouvel or the Silver Bell on account of the legend that silver coins
were thrown into the mould when it was cast, and the other known as
Cache-Ribaut, are still in the tower, La Rouvel being still rung for a
quarter of an hour at nine o'clock in the evening. It is the ancient
Curfew, and the Tower de la Grosse Horloge is nothing more than the
historic belfry of Rouen, although one might imagine by the way it stands
over the street on an elliptical arch, that it had formed one of the gates
of the city.

At the foot of the belfry is one of those richly sculptured fountains that
are to be seen in two or three places in the older streets. The carving is
very much blackened with age, and the detail is not very easily
discernible, but a close examination will show that the story of Arethusa,
and Alpheus, the river-god, is portrayed. The fountain was given to Rouen
by the Duke of Luxembourg early in the eighteenth century.

Adjoining the imposing Rue Jeanne d'Arc is the fine Gothic Palais de
Justice, part of which was built by Louis XII. in the year 1499, the
central portion being added by Leroux, sixteen years later. These great
buildings were put up chiefly for the uses of the Echiquier--the supreme
court of the Duchy at that time--but it was also to be used as an exchange
for merchants who before this date had been in the habit of transacting
much of their business in the cathedral. The historic hall where the
Echiquier met is still to be seen. The carved oak of the roof has great
gilded pendants that stand out against the blackness of the wood-work, and
the Crucifixion presented by Louis XII. may be noticed among the portraits
in the Chambre du Conseille.

The earliest portions of the great cathedral of Notre Dame date from the
twelfth century, the north tower showing most palpably the transition from
Norman work to the Early French style of Gothic. By the year 1255 when
Louis IX. came to Rouen to spend Christmas, the choir, transepts and nave
of the cathedral, almost as they may be seen to-day, had been completed.
The chapel to St Mary did not make its appearance for some years, and the
side _portails_