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prostrated by sickness and mental suffering. Another poem, more mournful but with a beautiful thought of hope beyond, comes from that dismal prison-pen, Camp Chase. Colonel W. S. Hawkins, a brave Tennesseean, who was held there two long years, still kept up heart and ministered to his fellow-sufferers day and night. The close of the war alone released him, to drag his shattered frame to "his own, fair sunny land," and lay it in the soil he loved so well. But he has left a living monument; and the tender pathos of "The Hero without a Name"--and the flawless poetical gem that closes his "Last of Earth," will be remembered as long as the sacrifices of their noble author. The pent walls of other military prisons sent forth plaintive records of misery, as well as stirring strains of hope unconquered; but the two here named are easily first of the rebel-prisoner poets. Dirges for the great dead became a popular form, in which the spirit of southern song poured itself out. I had in my collection no fewer than forty-seven monodies and dirges on Stonewall Jackson; some dozens on Ashby and a score on Stuart. Some of these were critically good; all of them high in sentiment; but Flash's "Jackson"--heretofore quoted, when noting that irremediable loss--stands incomparably above the rest. Short, vigorous, completely rounded--it breathes that high spirit of hope and trust, held by that warrior people; and, not alone the finest war dirge of the South, it is excelled by no sixteen lines in any language, for power, lilt and tenderness! Perhaps Thompson's "Dirge for Ashby," Randall's song of triumph over dead John Pelham and Mrs. Margaret Preston's "Ashby," may rank side-by-side next to the "Jackson." The modest author of the last-named did not claim it, until the universal voice of her people called for her name; and it is noteworthy that large numbers of war-song writers hid from their just meed, behind the sheltering anonymous. And the universal characteristic of this dirge-poetry is not its mournful tenderness--while nothing could be more touching than that; but its strong expression of faith in the efficacy of the sacrifice and in the full atonement of the martyrdom! The battle-breeze bore back to the writers no sound of weak wailing. It wafted only the sob of manly grief, tempered by a solemn joyousness; and--coming from men of many temperaments, amid wide-differing scenes and circumstance--every monody bears impress of the
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