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being a teacher on such subjects are rarely to be met with, all combined. Mr. Newton, in his "Essays on Art and Archaeology," p. 37, says that "the archaeologist should combine with the aesthetic culture of the artist, and the trained judgment of the historian and the philologist, that critical acumen, required for classification and interpretation; nor should that habitual suspicion which must ever attend the scrutiny and precede the warranty of evidence, give too sceptical a bias to his mind." Such authorities have been interrogated on each part of my subject. [2] Quoted by permission of the Editor. CONTENTS. PAGE INTRODUCTION. 1 CHAPTER I.--STYLE. Definition of style--Development of style--Primitive-- Archaic--Egyptian--Babylonian--Phoenician influences on early Greek style--Decoration of hangings of the Tabernacle in the wilderness--Aryan ideas--The Code of Manu--Indian art--Celtic style--Greek art in dress and embroideries--Homer's descriptions of embroideries--Pallas Athene--Shield of Achilles--Roman art--Byzantine art--Art of Central Asia--Its arrival in Europe--Art of China, Japan, and Java--Christian art--Scandinavian art--The Dark Ages--Sicilian textile art--Renaissance--Arabesque-- Grotesque--Spanish Plateresque--Style of Queen Anne and the Chippendales--Louis XV. style--Classical revival--Young England's style--Nineteenth century style 14 CHAPTER II.--DESIGN. Artist and artisan--Prehistoric design--Naturalistic design--Egyptian immutability--Slow evolution of design--Greek perfection--Necessity of following rules--M. Blanc's laws of ornamentation--Laws of composition-- Repetition--Alternation--Symmetry--Progression--Confusion-- Designs for hangings and dress materials--Floral design--Design for carpets--The conventional--First principles 54 CHAPTER III.--PATTERNS. Ancestry of patterns--Classification--Their historical value--Primitive patterns--The wave--Tartan--Prehistoric African patterns--The naturalistic--Flowers--Shells--Indian forms of naturalistic patterns--Egyptian--The lotus-- Sunflower--Celtic Zoomorphic patterns--The human figure on Greek textiles--Animal forms in Oriental patterns--Symbolical and con
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