Opus
| | | Anglicanum.
60 | 319 | | BONIFACE VIII.'S COPE from Anagni, his native place;
| | | now in Vatican Treasury; twelfth century.
61 | 319 | | ALTAR FRONTAL at Anagni, Italy. Italian work,
| | | fourteenth century.
62 | 320 | | WORCESTER RELICS of the tenth century. 1. From tomb
| | | of Walter de Cantilupe. 2. From Aix, in Switzerland.
| | | Same type.
63 | 320 | | 1. MITRE OF THOMAS A BECKET. 2. The cross with twelve
| | | leaves, "for the healing of the nations." Coronation
| | | vestments at Rheims.
64 | 321 | | ANGLO-SAXON WORK, purple and gold, from tomb of
| | | William de Blois, Worcester. He died Bishop in 1236.
65 | 321 | | A PORTION OF ST. STEPHEN OF HUNGARY'S MANTLE, worked
| | | by his Queen Gisela. From Bock's "Kleinodien."
66 | 322 | | PORTION OF MANTLE OF HENRY II., worked by his Empress
| | | Kunigunda. From Bock's "Kleinodien."
67 | 325 | | THE SYON COPE. South Kensington Museum.
68 | 329 | | ITALIAN EMBROIDERIES designed by Pollaiolo; worked by
| | | Paolo da Verona. Sixteenth century.
69 | 330 | | SPANISH ALTAR FRONTAL. THE ARMS OF CASTILE embroidered
| | | in gold with pearls. Ashridge. Plateresque style,
| | | seventeenth century.
70 | 337 | 113 | CONSULAR IVORIES. Two diptychs. 1. Zurich,
| | | Wasser-Kirche. Inscribed to Consul Areobindus,
| | | A.D. 434. 2. At Halberstadt. No date. From Bock's
| | | "Lit. Gew."
71 | 363 | | AELFLED'S ORPHREY, signed by her. Durham Cathedral
| | | Library.
72 | 363 | | ST. GREGORY AND ST. JOHN (PROPHET), from Aelfled's
| | | orphrey. Durham. English work, tenth century.
73 | 365 | | ST. DUNSTAN in adoration, drawn by himself. Bodleian
| | | Library, Oxford. Tenth century.
74 | 369 | | SMALL PARSEME PATTERNS from Strutt's "Royal and
| | | Ecclesiastical Antiquities of the English from
| | | 1100 to 1530."
75 | 369 | | ENGLISH PATTERNS of embroidery. 1. Panel of a screen
| | | in Hornby Church, Yorkshire. 2. Dress on a painted
| | | window in St. Mic