FREE BOOKS

Author's List




PREV.   NEXT  
|<   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276  
277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   >>   >|  
e suited, either by nature or habit or both, cannot help feeling pleasure in them and applauding them, and calling them beautiful. But those whose natures, or ways, or habits are unsuited to them, cannot delight in them or applaud them, and they call them base. There are others, again, whose natures are right and their habits wrong, or whose habits are right and their natures wrong, and they praise one thing, but are pleased at another. For they say that all these imitations are pleasant, but not good. And in the presence of those whom they think wise, they are ashamed of dancing and singing in the baser manner, or of deliberately lending any countenance to such proceedings; and yet, they have a secret pleasure in them. CLEINIAS: Very true. ATHENIAN: And is any harm done to the lover of vicious dances or songs, or any good done to the approver of the opposite sort of pleasure? CLEINIAS: I think that there is. ATHENIAN: 'I think' is not the word, but I would say, rather, 'I am certain.' For must they not have the same effect as when a man associates with bad characters, whom he likes and approves rather than dislikes, and only censures playfully because he has a suspicion of his own badness? In that case, he who takes pleasure in them will surely become like those in whom he takes pleasure, even though he be ashamed to praise them. And what greater good or evil can any destiny ever make us undergo? CLEINIAS: I know of none. ATHENIAN: Then in a city which has good laws, or in future ages is to have them, bearing in mind the instruction and amusement which are given by music, can we suppose that the poets are to be allowed to teach in the dance anything which they themselves like, in the way of rhythm, or melody, or words, to the young children of any well-conditioned parents? Is the poet to train his choruses as he pleases, without reference to virtue or vice? CLEINIAS: That is surely quite unreasonable, and is not to be thought of. ATHENIAN: And yet he may do this in almost any state with the exception of Egypt. CLEINIAS: And what are the laws about music and dancing in Egypt? ATHENIAN: You will wonder when I tell you: Long ago they appear to have recognized the very principle of which we are now speaking--that their young citizens must be habituated to forms and strains of virtue. These they fixed, and exhibited the patterns of them in their temples; and no painter or artist is allowed to innovate
PREV.   NEXT  
|<   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276  
277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   >>   >|  



Top keywords:

CLEINIAS

 

pleasure

 
ATHENIAN
 

natures

 
habits
 

virtue

 

dancing

 
ashamed
 

surely

 

allowed


praise

 

amusement

 

instruction

 
bearing
 

habituated

 

suppose

 
citizens
 

speaking

 

future

 

undergo


painter
 

artist

 
innovate
 
temples
 

exhibited

 
patterns
 

strains

 

rhythm

 

unreasonable

 

thought


destiny

 

exception

 

children

 
conditioned
 

melody

 

parents

 

recognized

 

reference

 

pleases

 

choruses


principle

 

censures

 
pleasant
 

presence

 

suited

 

imitations

 

singing

 

proceedings

 

secret

 
countenance