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Pp. 296-297 {291} and 424-425. DANISH TRADITIONS AND SUPERSTITIONS. A Prose Essay. _Parts viii and ix_. (8) _The Universal Review_, Vol. ii, 1825. Pp. 315-331. A REVIEW OF _The Devil's Elixir_; _from the German of Hoffman_. (_London_, _Cadell_, 2 _vols_.) Pp. 550-566. A REVIEW OF _Danske Folkesagn_, _Samlede af J. M. Thiele_. (_Copenhagen_, 1818-1823.) (9) _The Foreign Quarterly Review_, Vol. vi, No. xi, _June_, 1830, pp. 48-87. A REVIEW OF _Dansk-norsk Litteraturlexicon_, 1818, AND _Den Danske Digtekunsts Middelalder fra Arrebo til Tullin fremstillet i Academiske Foreloesinger holdne i Aarene_, 1798-1800. A long critical prose article by John Bowring, including, _inter alia_, the following Ballads by George Borrow:-- 1. KING OLUF THE SAINT. [_King Oluf and his brother bold_] Reprinted in _Queen Berngerd_, _The Bard and the Dreams_, _and Other Ballads_, 1913, pp. 23-29. This is an entirely different Ballad from that which had appeared, under the title _Saint Oluf_, in _Romantic Ballads_, 1826, pp. 53-57. 2. THE BROTHER AVENGED. [_I stood before my master's board_] Reprinted, with some textual variations, in _The Brother Avenged and Other Ballads_, 1913, pp. 5-8. 3. AAGER AND ELIZA. ['_Twas the valiant knight_, _Sir Aager_] Previously printed, but with endless variations in the text, in _Romantic Ballads_, 1826, pp. 47-52, where the first line reads, "_Have ye heard of bold Sir Aager_." As an example of the differences of text to be observed in the two versions, I give three stanzas of each: 1826. _Up his mighty limbs he gather'd_, _Took the coffin on his back_; _And to fair Eliza's bower_ _Hasten'd_, _by the well-known track_. _On her chamber's lowly portal_, _With his fingers long and thin_, _Thrice he tapp'd_, _and bade Eliza_ _Straightway let her bridegroom in_! _Straightway answer'd fair Eliza_, "_I will not undo my door_ _Till I hear thee name sweet Jesus_, _As thou oft hast done before_." 1830. _Up Sir Aager rose_, _his coffin_ _Bore he on his bended back_. _Tow'ds the bower of sweet Eliza_ _Was his sad and silent track_. _He the door tapp'd with his coffin_, _For his fingers had no skin_; "_Rise
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