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s of this kind, which the grammarian is not competent to condemn, though they do not accord with the ordinary principles of construction. V. _Hyperbaton_ is the transposition of words; as, "He wanders _earth around_."--_Cowper_ "_Rings the world_ with the vain stir."--_Id. "Whom_ therefore ye ignorantly worship, _him declare I_ unto you."--_Acts_, xvii, 23. "'_Happy_', says _Montesquieu, 'is that nation_ whose annals are tiresome.'"--_Corwin, in Congress_, 1847. This figure is much employed in poetry. A judicious use of it confers harmony, variety, strength, and vivacity upon composition. But care should be taken lest it produce ambiguity or obscurity, absurdity or solecism. OBS.--A confused and intricate arrangement of words, received from some of the ancients the name of _Syn'chysis_, and was reckoned by them among the figures of grammar. By some authors, this has been improperly identified with _Hyper'baton_, or elegant inversion; as may be seen under the word _Synchysis_ in Littleton's Dictionary, or in Holmes's Rhetoric, at page 58th. _Synchysis_ literally means _confusion_, or _commixtion_; and, in grammar, is significant only of some poetical jumble of words, some verbal _kink_ or _snarl_, which cannot be grammatically resolved or disentangled: as, "_Is piety_ thus _and_ pure _devotion_ paid?" --_Milton, P. L._, B. xi, l. 452. "An ass will with his long ears fray The flies that tickle him away; But man delights to have _his ears Blown maggots in by_ flatterers." --_Butler's Poems_, p. 161. SECTION IV.--FIGURES OF RHETORIC. A Figure of Rhetoric is an intentional deviation from the ordinary application of words. Several of this kind of figures are commonly called _Tropes_, i.e., _turns_; because certain words are turned from their original signification to an other.[481] Numerous departures from perfect simplicity of diction, occur in almost every kind of composition. They are mostly founded on some similitude or relation of things, which, by the power of imagination, is rendered conducive to ornament or illustration. The principal figures of Rhetoric are sixteen; namely, _Sim'-i-le, Met'-a-phor, Al'-le-gor-y, Me-ton'-y-my, Syn-ec'-do-che, Hy-per'-bo-le, Vis'-ion, A-pos'-tro-phe, Per-son'-i-fi-ca'-tion, Er-o-te'-sis, Ec-pho-ne'-sis, An-tith'-e-sis, Cli'-max, I'-ro-ny, A-poph'-a-sis_, and _On-o-ma-to-poe'-ia._ EXPLANATIONS. I. A _Simile_ is a simple an
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