e five chapels,
the centre one containing a copy of the "sacred image" of Notre Dame which
stands by the column immediately to the right of the entrance. Much more
could be said of these three churches with their various styles of
architecture extending from the very earliest period down to the classic
work of the seventeenth century. But this is not the place for intricate
descriptions of architectural detail which are chiefly useful in books
which are intended for carrying from place to place.

CHAPTER V

Concerning Lisieux and the Romantic Town of Falaise

Lisieux is so rich in the curious timber-framed houses of the middle and
later ages that there are some examples actually visible immediately
outside the railway station whereas in most cases one usually finds an
aggregation of uninteresting modern buildings. As you go towards the centre
of the town the old houses, which have only been dotted about here and
there, join hands and form whole streets of the most romantic and almost
stage-like picturesqueness. The narrow street illustrated here is the Rue
aux Fevres. Its houses are astonishingly fine, and it forms--especially in
the evening--a background suitable for any of the stirring scenes that took
place in such grand old towns as Lisieux in medieval days. This street is
however, only one of several that reek of history. In the Rue des
Boucheries and in the Grande Rue there are lovely overhanging gables and
curious timber-framing that is now at any angle but what was originally
intended. There is really so much individual quaintness in these houses
that they deserve infinitely more than the scurry past them which so
frequently is all their attractions obtain. The narrowness and fustiness of
the Rue aux Fevres certainly hinder you from spending much time in
examining the houses but there are two which deserve a few minutes'
individual attention. One which has a very wide gable and the upper floors
boarded is believed to be of very great antiquity, dating from as early a
period as the thirteenth century. It is numbered thirty-three, and must not
be confused with the richly ornamented Manoir de Francois I. The timber
work of this house, especially of the two lower floors is covered with
elaborate carving including curious animals and quaint little figures, and
also the salamander of the royal house. For this reason the photographs
sold in the shops label the house "Manoir de la Salamandre." The place is
now