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countless altar ornaments with a big feather broom. On the north side of the chancel some of the windows have sections of old painted glass, and in one of them there is part of a ship with men in crow's nests backed by clouds, a really vigorous colour scheme. Keeping to the high ground, there is to the south of this church an open Place, and beyond it there are some large barracks, where, on the other side of a low wall may be seen the elaborately prepared steeple-chase for training soldiers to be able to surmount every conceivable form of obstacle. Awkward iron railings, wide ditches, walls of different composition and varying height are frequently scaled, and it is practice of this sort that has made the French soldier famous for the facility with which he can storm fortifications. The river Orne finds its way through the lower part of the town and here there are to be found some of the most pleasing bits of antique domestic architecture. One of the quaintest of these built in 1616 is the galleried building illustrated here, and from a parallel street not many yards off there is a peep of a house that has been built right over the stream which is scarcely less picturesque. [Illustration: A SEVENTEENTH CENTURY HOUSE AT ARGENTAN] The church of St Martin is passed on entering Argentan from Falaise. Its east end crowds right up against the pavement and it is somewhat unusual to find the entrances at this portion of the building. The stained glass in the choir of St Martin is its most noticeable feature--the pictures showing various scenes in the life of Christ. As in all French towns Argentan knows how to decorate on fete days. Coming out of the darkness of the church in the late twilight on one of these occasions, I discovered that the town had suddenly become festooned with a long perspective of arches stretching right away down the leafy avenue that goes out of the town--to the north in one direction, and to St Germain in the other. The arches were entirely composed without a single exception of large crimson-red Chinese lanterns. The effect was astonishingly good, but despite all the decoration, the townsfolk seemed determined to preserve the quiet of the Sabbath, and although there were crowds everywhere, the only noise that broke the stillness was that of the steam round-about that had been erected on a triangular patch of grass. The dark crowds of people illuminated by flaring lights stood in perfect quiet as
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