fast going to ruin--a most pitiable sight and I for one, would prefer
to see the place restored rather than it should be allowed to become so
hopelessly dilapidated and rotten that the question of its preservation
should come to be considered lightly.

If the town authorities of Lisieux chose to do so, they could encourage the
townsfolk to enrich many of their streets by a judicious flaking off of the
plaster which in so many cases tries to hide all the pleasant features of
houses that have seen at least three centuries, but this sort of work when
in the hands of only partially educated folk is liable to produce a worse
state of affairs than if things had been left untouched. An example of what
over-restoration can do, may be seen when we reach the beautiful old inn at
Dives.

The two churches of Lisieux are well fitted to their surroundings, and
although St Jacques has no graceful tower or fleche, the quaintness of its
shingled belfry makes up for the lack of the more stately towers of St
Pierre. Where the stone-work has stopped short the buttresses are roofed
with the quaintest semi-circular caps, and over the clock there are two
more odd-looking pepper boxes perched upon the steep slope that projects
from the square belfry. Over all there is a low pyramidal roof, stained
with orange lichen and making a great contrast in colour to the
weather-beaten stone-work down below. There are small patches of tiled
roofing to the buttresses at the western ends of the aisles and these also
add colour to this picturesque building. The great double flight of stone
steps which lead to the imposing western door have balustrades filled with
flamboyant tracery, but although the church is built up in this way, the
floor in the interior is not level, for it slopes gently up towards the
east. The building was commenced during the reign of Louis XII. and not
finished until nearly the end of the reign of Francois I. It is therefore
coeval with that richly carved house in the Rue aux Fevres. Along the sides
of the church there project a double row of thirsty-looking gargoyles--the
upper ones having their shoulders supported by the mass of masonry
supporting the flying buttresses. The interior is richer than the exterior,
and you may see on some of the pillars remains of sixteenth century
paintings. A picture dating from 1681 occupies a position in the chapel of
St Ursin in the south aisle; it shows the relic of the saint being brought
to Li