nedas in the field,
and putting everything else aside, he set himself to finish off his task
and protect Don Quixote in the only way he could, by killing him. The
conclusion is no doubt a hasty and in some places clumsy piece of work
and the frequent repetition of the scolding administered to Avellaneda
becomes in the end rather wearisome; but it is, at any rate, a conclusion
and for that we must thank Avellaneda.

The new volume was ready for the press in February, but was not printed
till the very end of 1615, and during the interval Cervantes put together
the comedies and interludes he had written within the last few years,
and, as he adds plaintively, found no demand for among the managers, and
published them with a preface, worth the book it introduces tenfold, in
which he gives an account of the early Spanish stage, and of his own
attempts as a dramatist. It is needless to say they were put forward by
Cervantes in all good faith and full confidence in their merits. The
reader, however, was not to suppose they were his last word or final
effort in the drama, for he had in hand a comedy called "Engano a los
ojos," about which, if he mistook not, there would be no question.

Of this dramatic masterpiece the world has no opportunity of judging; his
health had been failing for some time, and he died, apparently of dropsy,
on the 23rd of April, 1616, the day on which England lost Shakespeare,
nominally at least, for the English calendar had not yet been reformed.
He died as he had lived, accepting his lot bravely and cheerfully.

Was it an unhappy life, that of Cervantes? His biographers all tell us
that it was; but I must say I doubt it. It was a hard life, a life of
poverty, of incessant struggle, of toil ill paid, of disappointment, but
Cervantes carried within himself the antidote to all these evils. His was
not one of those light natures that rise above adversity merely by virtue
of their own buoyancy; it was in the fortitude of a high spirit that he
was proof against it. It is impossible to conceive Cervantes giving way
to despondency or prostrated by dejection. As for poverty, it was with
him a thing to be laughed over, and the only sigh he ever allows to
escape him is when he says, "Happy he to whom Heaven has given a piece of
bread for which he is not bound to give thanks to any but Heaven itself."
Add to all this his vital energy and mental activity, his restless
invention and his sanguine temperament, and th