born at Alcala de Henares and baptised in the church of Santa
Maria Mayor on the 9th of October, 1547. Of his boyhood and youth we know
nothing, unless it be from the glimpse he gives us in the preface to his
"Comedies" of himself as a boy looking on with delight while Lope de
Rueda and his company set up their rude plank stage in the plaza and
acted the rustic farces which he himself afterwards took as the model of
his interludes. This first glimpse, however, is a significant one, for it
shows the early development of that love of the drama which exercised
such an influence on his life and seems to have grown stronger as he grew
older, and of which this very preface, written only a few months before
his death, is such a striking proof. He gives us to understand, too, that
he was a great reader in his youth; but of this no assurance was needed,
for the First Part of "Don Quixote" alone proves a vast amount of
miscellaneous reading, romances of chivalry, ballads, popular poetry,
chronicles, for which he had no time or opportunity except in the first
twenty years of his life; and his misquotations and mistakes in matters
of detail are always, it may be noticed, those of a man recalling the
reading of his boyhood.

Other things besides the drama were in their infancy when Cervantes was a
boy. The period of his boyhood was in every way a transition period for
Spain. The old chivalrous Spain had passed away. The new Spain was the
mightiest power the world had seen since the Roman Empire and it had not
yet been called upon to pay the price of its greatness. By the policy of
Ferdinand and Ximenez the sovereign had been made absolute, and the
Church and Inquisition adroitly adjusted to keep him so. The nobles, who
had always resisted absolutism as strenuously as they had fought the
Moors, had been divested of all political power, a like fate had befallen
the cities, the free constitutions of Castile and Aragon had been swept
away, and the only function that remained to the Cortes was that of
granting money at the King's dictation.

The transition extended to literature. Men who, like Garcilaso de la Vega
and Diego Hurtado de Mendoza, followed the Italian wars, had brought back
from Italy the products of the post-Renaissance literature, which took
root and flourished and even threatened to extinguish the native growths.
Damon and Thyrsis, Phyllis and Chloe had been fairly naturalised in
Spain, together with all the devices of p