as polygonal, the Rose as
circular.]
What troupes of actors used the Rose during the first five years of
its existence we do not know; indeed, until 1592 we hear nothing
further of the playhouse. As a result, some scholars have wrongly
inferred that the building was not erected until the spring of
1592.[218] It seems likely, as Mr. Greg suggests, that Henslowe and
Cholmley let the house to some company of players at a stipulated
annual rent, and so had nothing to do with the management of its
finances. This would explain the complete absence of references to the
playhouse in Henslowe's accounts.
[Footnote 218: Ordish, _Early London Theatres_, p. 155; Mantzius, _A
History of Theatrical Art_, p. 58. Mr. Wallace's discovery of a
reference to the Rose in the Sewer Records for April, 1588, quite
overthrows this hypothesis.]
During this obscure period of five years Cholmley disappears from the
history of the Rose. It may be that he withdrew from the undertaking
at the outset;[219] it may be that he failed to meet his payments, and
so forfeited his moiety; or it may be that, becoming dissatisfied with
his bargain, he sold out to Henslowe. Whatever the cause, his interest
in the playhouse passed over to Henslowe, who appears henceforth as
the sole proprietor.
[Footnote 219: This seems unlikely. At the beginning of Henslowe's
_Diary_ we find the scrawl "Chomley when" (Greg, _Henslowe's Diary_ I,
217); this was written not earlier than 1592, and it shows that
Cholmley was at that time in Henslowe's mind.]
[Illustration: THE BEAR GARDEN AND THE ROSE
A small inset view of London, from the map entitled "The Kingdome of
Great Britaine and Ireland," printed in Speed's _Atlas_ (1611). The
map is dated 1610, but the inset view of London was copied, like the
inset views to Baker's _Chronicle_ (1643) and to Holland's _Her[Greek:
o]ologia_ (1620), from a lost map of London drawn about 1589-1599.]
In the spring of 1592 the building was in need of repairs, and
Henslowe spent a large sum of money in thoroughly overhauling it.[220]
The lathing and plastering of the exterior were done over, the roof
was re-thatched, new rafters were put in, and much heavy timber was
used, indicating important structural alterations. In addition, the
stage was painted, the lord's room and the tiring-house were provided
with ceilings, a new flagpole was erected, and other improvements were
introduced. Clearly an attempt was made to render the bui
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