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lding not only stronger, but also more attractive in appearance and more modern in equipment. [Footnote 220: Greg, _Henslowe's Diary_, I, 7.] The immediate occasion for these extensive alterations and repairs was the engagement of Lord Strange's Men to occupy the playhouse under Henslowe's management. This excellent troupe, with Edward Alleyn at its head, was perhaps the best company of actors then in London. It later became the Lord Chamberlain's Company, with which Shakespeare was identified; even at this early date, although documentary proof is lacking, he may have been numbered among its obscure members. The troupe opened the Rose on February 19, 1592, with a performance of Robert Greene's _Friar Bacon and Friar Bungay_, and followed this with many famous plays, such as _The Spanish Tragedy_, _The Jew of Malta_, _Orlando Furioso_, and _Henry VI_.[221] [Footnote 221: For a list of their plays see Greg, _Henslowe's Diary_, I, 13 ff.] The coming of Lord Strange's Men to the Rose led to a close friendship between Henslowe and Edward Alleyn, then twenty-six years of age, and at the height of his fame as an actor, a friendship which was cemented in the autumn by Alleyn's marriage to Henslowe's stepdaughter (and only child) Joan Woodward. The two men, it seems, were thoroughly congenial, and their common interests led to the formation of a business partnership which soon became the most important single force in the theatrical life of the time. Lord Strange's Men continued to act at the Rose from February 19 until June 23, 1592, when the Privy Council, because of a serious riot in Southwark, ordered the closing of all playhouses in and about London until Michaelmas following. Strange's Men very soon petitioned the Council to be allowed to reopen their playhouse; the Council, in reply, compromised by granting them permission to act three days a week at Newington Butts. This, however, did not please the actors, and they started on a tour of the provinces. In a short time, discovering that they could not pay their expenses on the road, they again petitioned for permission to open the Rose, complaining that "our company is great, and thereby our charge intolerable in traveling the country," and calling attention to the fact that "the use of our playhouse on the Bankside, by reason of the passage to and from the same by water, is a great relief to the poor watermen there."[222] The petition was accompanied by a sup
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