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ou; knowing how impatient you would be for a few lines: for, from what I have recited, you see it was impossible I could withdraw to write when your servant came at half an hour after five, or have an opportunity for it till now; and this is accidental; and yet your poor fellow was afraid to go away with the verbal message I sent; importing, as no doubt he told you, that the Colonel was with us, the lady excessively ill, and that I could not stir to write a line. TEN O'CLOCK. The Colonel sent to me afterwards, to tell me that the lady having been in convulsions, he was so much disordered that he could not possibly attend me. I have sent every half hour to know how she does--and just now I have the pleasure to hear that her convulsions have left her; and that she is gone to rest in a much quieter way than could be expected. Her poor cousin is very much indisposed; yet will not stir out of the house while she is in such a way; but intends to lie down on a couch, having refused any other accommodation. END OF VOL. 8. End of the Project Gutenberg EBook of Clarissa, Or The History Of A Young Lady, Volume 8, by Samuel Richardson *** END OF THIS PROJECT GUTENBERG EBOOK CLARISSA, VOL. 8 *** ***** This file should be named 12180.txt or 12180.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/1/8/12180/ Produced by Julie C. Sparks. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution
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