al to yield the primacy to
the other, in order that all Germans may stand together against the
common foe. _Prince Frederick of Homburg_ is a dramatic glorification
of the Prussian virtues of discipline and obedience. But the finely
drawn characters of this play are by no means rigid martinets. They
are largely, frankly, generously human, confessing the right of
feeling as well as reason to direct the will. Never has there been a
more sympathetic literary exposition of the soldierly character than
this last tribute of a devoted patriot to his beloved Brandenburg.

The narrative works of Kleist maintain the same high level as his
dramas. _Michael Kohlhaas_ is a good example of this excellent
narrative art, for which Kleist found no models in German literature.
Unity is a striking characteristic; the action can usually be summed
up in a few words, such as the formula for this story, given expressly
on its first page: "His sense of justice made him a robber and a
murderer." There is no leisurely exposition of time, place, or
situation; all the necessary elements are given concisely in the first
sentences. The action develops logically, with effective use of
retardation and climax, but without disturbing episodes; and the
reader is never permitted to forget the central theme. The descriptive
element is realistic, with only pertinent details swiftly presented,
often in parentheses, while the action moves on. The characterization
is skilfully indirect, through unconscious action and speech. The
author does not shun the trivial or even the repulsive in detail, nor
does he fear the most tragic catastrophes. He is scrupulously
objective, and, in an age of expansive lyric expression, he is most
chary of comment. The sentence structure, as in the dramas, is often
intricate, but never lax. The whole work in all its parts is firmly
and finely forged by a master workman.

Kleist has remained a solitary figure in German literature. Owing
little to the dominant literary influences of his day, he has also
found few imitators. Two generations passed before he began to come
into his heritage of legitimate fame. Now that a full century has
elapsed since his tragic death, his place is well assured among the
greatest dramatic and narrative authors of Germany. A brave man
struggling desperately against hopeless odds, a patriot expending his
genius with lavish unselfishness for the service of his country in her
darkest days, he has been foun