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The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 1, September 5, 1841, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Punch, or the London Charivari, Vol. 1, September 5, 1841 Author: Various Release Date: February 7, 2005 [EBook #14926] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG Online Distributed Proofreading Team PUNCH, OR THE LONDON CHARIVARI. VOL. 1. FOR THE WEEK ENDING SEPTEMBER 5, 1841. * * * * * THE GENTLEMAN'S OWN BOOK. [Illustration: O]Our consideration must now be given to those essentials in the construction of a true gentleman--the cut, ornaments, and pathology of his dress. THE CUT is to the garment what the royal head and arms are to the coin--the insignia that give it currency. No matter what the material, gold or copper, Saxony or sackcloth, the die imparts a value to the one, and the shears to the other. Ancient Greece still lives in its marble demi-gods; the vivifying chisel of Phidias was thought worthy to typify the sublimity of Jupiter; the master-hand of Canova wrought the Parian block into the semblance of the sea-born goddess, giving to insensate stone the warmth and etheriality of the Paphian paragon; and Stultz, with his grace-bestowing shears, has fashioned West of England broad-cloths, and fancy goods, into all the nobility and gentility of the "Blue Book," the "Court Guide," the "Army, Navy, and Law Lists, for 1841." Wondrous and kindred arts! The sculptor wrests the rugged block from the rocky ribs of his mother earth;--the tailor clips the implicated "_long hogs_"[1] from the prolific backs of the living mutton;--the toothless saw, plied by an unweayring hand, prepares the stubborn mass for the chisel's tracery;--the loom, animated by steam (that gigantic child of Wallsend and water), twists and twines the unctuous and pliant fleece into the silky Saxony. [1] The first growth of wool. The sculptor, seated in his _studio_, throws loose the reins of his imagination, and, conjuring up some perfect ideality, seeks to impress the be
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