autiful illusion on the rude and undigested mass before him. The tailor
spreads out, upon his ample board, the happy broadcloth; his eyes scan the
"measured proportions of his client," and, with mystic power, guides the
obedient pipe-clay into the graceful diagram of a perfect gentleman. The
sculptor, with all the patient perseverance of genius, conscious of the
greatness of its object, chips, and chips, and chips, from day to day; and
as the stone quickens at each touch, he glows with all the pride of the
creative Prometheus, mingled with the gentler ecstacies of paternal love.
The tailor, with fresh-ground shears, and perfect faith in the gentility
and solvency of his "client," snips, and snips, and snips, until the
"superfine" grows, with each abscission, into the first style of elegance
and fashion, and the excited schneider feels himself "every inch a king,"
his shop a herald's college, and every brown paper pattern garnishing its
walls, an escutcheon of gentility.

But to dismount from our Pegasus, or, in other words, to cut the poetry,
and come to the practice of our subject, it is necessary that a perfect
gentleman should be cut _up_ very high, or cut _down_ very low--_i.e._, up
to the marquis or down to the jarvey. Any intermediate style is perfectly
inadmissible; for who above the grade of an attorney would wear a coat
with pockets inserted in the tails, like salt-boxes; or any but an
incipient Esculapius indulge in trousers that evinced a morbid ambition to
become knee-breeches, and were only restrained in their aspirations by a
pair of most strenuous straps. We will now proceed to details.

_The dressing-gown_ should be cut only--for the arm holes; but be careful
that the quantity of material be very ample--say four times as much as is
positively necessary, for nothing is so characteristic of a perfect
gentleman as his improvidence. This garment must be constructed without
buttons or button-holes, and confined at the waist with cable-like
bell-ropes and tassels. This elegant _deshabille_ had its origin (like the
Corinthian capital from the Acanthus) in accident. A set of massive
window-curtains having been carelessly thrown over a lay figure, or
tailor's _torso_, in Nugee's _studio_, in St. James's-street, suggested to
the luxuriant mind of the Adonisian D'Orsay, this beautiful combination of
costume and upholstery. The eighteen-shilling chintz great-coats, so
ostentatiously put forward by nefarious tradesmen