y by demanding odbiianego, and placing
himself at the head.
But as a privilege of this nature too often employed would
throw the whole ball into complete anarchy, two means are
established to obviate this abuse--namely, the leader makes
use of his right to terminate the polonaise, in imitation of a
king or marshal dissolving a Diet, or else, according to the
predominating wish, all the cavaliers leave the ladies alone
in the middle, who then choose new partners and continue the
dance, excluding the disturbers and discontented, which
recalls the confederations employed for the purpose of making
the will of the majority prevail.
The polonaise breathes and paints the whole national
character; the music of this dance, while admitting much art,
combines something martial with a sweetness marked by the
simplicity of manners of an agricultural people. Foreigners
have distorted this character of the polonaises; the natives
themselves preserve it less in our day in consequence of the
frequent employment of motives drawn from modern operas. As to
the dance itself, the polonaise has become in our day a kind
of promenade which has little charm for the young, and is but
a scene of etiquette for those of a riper age. Our fathers
danced it with a marvellous ability and a gravity full of
nobleness; the dancer, making gliding steps with energy, but
without skips, and caressing his moustache, varied his
movements by the position of his sabre, of his cap, and of
his tucked-up coat-sleeves, distinctive signs of a free man
and warlike citizen. Whoever has seen a Pole of the old school
dance the polonaise in the national costume will confess
without hesitation that this dance is the triumph of a well-
made man, with a noble and proud tournure, and with an air at
once manly and gay.
After this Brodzinski goes on to describe the way in which the polonaise
used to be danced. But instead of his description I shall quote a not
less true and more picturesque one from the last canto of Mickiewicz's
"Pan Tadeusz":--
It is time to dance the polonaise. The President comes
forward; he lightly throws back the fausses manches of his
overcoat, caresses his moustache, presents his hand to Sophia:
and, by a respectful salute, invites her for the first couple.
Behind them range themselves the other dancers, two and two;
the signal is given, the dance is begun, the President
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