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y by demanding odbiianego, and placing himself at the head. But as a privilege of this nature too often employed would throw the whole ball into complete anarchy, two means are established to obviate this abuse--namely, the leader makes use of his right to terminate the polonaise, in imitation of a king or marshal dissolving a Diet, or else, according to the predominating wish, all the cavaliers leave the ladies alone in the middle, who then choose new partners and continue the dance, excluding the disturbers and discontented, which recalls the confederations employed for the purpose of making the will of the majority prevail. The polonaise breathes and paints the whole national character; the music of this dance, while admitting much art, combines something martial with a sweetness marked by the simplicity of manners of an agricultural people. Foreigners have distorted this character of the polonaises; the natives themselves preserve it less in our day in consequence of the frequent employment of motives drawn from modern operas. As to the dance itself, the polonaise has become in our day a kind of promenade which has little charm for the young, and is but a scene of etiquette for those of a riper age. Our fathers danced it with a marvellous ability and a gravity full of nobleness; the dancer, making gliding steps with energy, but without skips, and caressing his moustache, varied his movements by the position of his sabre, of his cap, and of his tucked-up coat-sleeves, distinctive signs of a free man and warlike citizen. Whoever has seen a Pole of the old school dance the polonaise in the national costume will confess without hesitation that this dance is the triumph of a well- made man, with a noble and proud tournure, and with an air at once manly and gay. After this Brodzinski goes on to describe the way in which the polonaise used to be danced. But instead of his description I shall quote a not less true and more picturesque one from the last canto of Mickiewicz's "Pan Tadeusz":-- It is time to dance the polonaise. The President comes forward; he lightly throws back the fausses manches of his overcoat, caresses his moustache, presents his hand to Sophia: and, by a respectful salute, invites her for the first couple. Behind them range themselves the other dancers, two and two; the signal is given, the dance is begun, the President
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