FREE BOOKS

Author's List




PREV.   NEXT  
|<   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200  
201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   >>   >|  
at by the top doth take the mountain Pine, And make him stoop to the vale. _Cymbeline_, act iv, sc. 2 (174). (7) _1st Lord._ Behind the tuft of Pines I met them. _Winter's Tale_, act ii, sc. 1 (33). (8) _Richard._ But when from under this terrestrial ball He fires the proud top of the eastern Pines. _Richard II_, act iii, sc. 2 (41). (9) _Antonio._ You may as well forbid the mountain Pines To wag their high tops and to make no noise, When they are fretten with the gusts of heaven. _Merchant of Venice_, act iv, sc. 1 (75). (10) Ay me! the bark peel'd from the lofty Pine, His leaves will wither, and his sap decay; So must my soul, her bark being peel'd away. _Lucrece_ (1167). In No. 8 is one of those delicate touches which show Shakespeare's keen observation of nature, in the effect of the rising sun upon a group of Pine trees. Mr. Ruskin says that with the one exception of Wordsworth no other English poet has noticed this. Wordsworth's lines occur in one of his minor poems on leaving Italy-- "My thoughts become bright like yon edging of Pines On the steep's lofty verge--how it blackened the air! But touched from behind by the sun, it now shines With threads that seem part of its own silver hair." While Mr. Ruskin's account of it is this: "When the sun rises behind a ridge of Pines, and those Pines are seen from a distance of a mile or two against his light, the whole form of the tree, trunk, branches and all, becomes one frost-work of intensely brilliant silver, which is relieved against the clear sky like a burning fringe, for some distance on either side of the sun."--_Stones of Venice_, i. 240. The Pine is the established emblem of everything that is "high and lifted up," but always with a suggestion of dreariness and solitude. So it is used by Shakespeare and by Milton, who always associated the Pine with mountains; and so it has always been used by the poets, even down to our own day. Thus Tennyson-- "They came, they cut away my tallest Pines-- My dark tall Pines, that plumed the craggy ledge-- High o'er the blue gorge, and all between The snowy peak and snow-white cataract Fostere
PREV.   NEXT  
|<   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200  
201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   225   >>   >|  



Top keywords:

Venice

 

Ruskin

 

Wordsworth

 
silver
 
distance
 

Shakespeare

 
Richard
 

mountain

 

intensely

 

branches


brilliant
 

Stones

 

fringe

 

burning

 

relieved

 
threads
 

touched

 

shines

 

account

 
established

plumed

 
craggy
 

tallest

 

Tennyson

 

cataract

 

Fostere

 

suggestion

 
dreariness
 

solitude

 

lifted


emblem

 

Milton

 

mountains

 

leaves

 

terrestrial

 

wither

 

Lucrece

 

Merchant

 

forbid

 

Antonio


fretten

 

heaven

 

eastern

 

leaving

 

noticed

 

English

 
thoughts
 

edging

 

bright

 

Cymbeline