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last from this sad tete-a-tete. As she tried to draw her hand from Olivier's, he pressed it, uttering a deep sigh! Then she resigned herself to wait, so that she should not trouble him. The fire was dying out on the hearth, under the black ashes of the letters; two candles went out; some pieces of furniture cracked. All was silent in the house; everything seemed dead except a tall Flemish clock on the stairs, which regularly chimed the hour, the half hour, and the quarter, singing the march of time in the night, modulating it in divers tones. The Countess, motionless, felt an intolerable terror rising in her soul. Nightmare assailed her; fearful thoughts filled her mind; and she thought she could feel that Olivier's fingers were growing cold within her own. Was that true? No, certainly not. But whence had come that sensation of inexpressible, frozen contact? She roused herself, wild with terror, to look at his face. It was relaxed, impassive, inanimate, indifferent to all misery, suddenly soothed by the Eternal Oblivion. End of the Project Gutenberg EBook of Strong as Death, by Guy de Maupassant *** END OF THIS PROJECT GUTENBERG EBOOK STRONG AS DEATH *** ***** This file should be named 4777.txt or 4777.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/7/7/4777/ Produced by Dagny Wilson; David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark
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