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o the end. Southampton on his release from prison was immediately installed a Knight of the Garter, and was appointed governor of the Isle of Wight, while an Act of Parliament relieved him of all the disabilities incident to his conviction of treason. He was thenceforth a prominent figure in Court festivities. He twice danced a correnta with the Queen at the magnificent entertainment given at Whitehall on August 19, 1604, in honour of the Constable of Castile, the special ambassador of Spain, who had come to sign a treaty of peace between his sovereign and James I. {380} But home politics proved no congenial field for the exercise of Southampton's energies. Quarrels with fellow-courtiers continued to jeopardise his fortunes. With Sir Robert Cecil, with Philip Herbert, Earl of Montgomery, and with the Duke of Buckingham he had violent disputes. It was in the schemes for colonising the New World that Southampton found an outlet for his impulsive activity. He helped to equip expeditions to Virginia, and acted as treasurer of the Virginia Company. The map of the country commemorates his labours as a colonial pioneer. In his honour were named Southampton Hundred, Hampton River, and Hampton Roads in Virginia. Finally, in the summer of 1624, at the age of fifty-one, Southampton, with characteristic spirit, took command of a troop of English volunteers which was raised to aid the Elector Palatine, husband of James I's daughter Elizabeth, in his struggle with the Emperor and the Catholics of Central Europe. With him went his eldest son, Lord Wriothesley. Both on landing in the Low Countries were attacked by fever. The younger man succumbed at once. The Earl regained sufficient strength to accompany his son's body to Bergen-op-Zoom, but there, on November 10, he himself died of a lethargy. Father and son were both buried in the chancel of the church of Titchfield, Hampshire, on December 28. Southampton thus outlived Shakespeare by more than eight years. IV.--THE EARL OF SOUTHAMPTON AS A LITERARY PATRON. Southampton's collection of books. Southampton's close relations with men of letters of his time give powerful corroboration of the theory that he was the patron whom Shakespeare commemorated in the sonnets. From earliest to latest manhood--throughout the dissipations of Court life, amid the torments that his intrigue cost him, in the distractions of war and travel--the earl never ceased to cherish t
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