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oth the flame of this fire strike me." --_Inferno_, II, 91-93.[Arnold.] [81] "In His will is our peace."--_Paradiso_, III, 85.[Arnold.] [82] _Henry IV_, part 2, III, i, 18-20. PAGE 65 [83] _Hamlet_, V, ii, 361-62. [84] _Paradise Lost_, I, 599-602. [85] _Ibid._, I, 108-9. [86] _Ibid._, IV, 271. PAGE 66 [87] _Poetics_, Sec. 9. PAGE 67 [88] ~Provencal~, the language of southern France, from the southern French _oc_ instead of the northern _oil_ for "yes." PAGE 68 [89] Dante acknowledges his debt to ~Latini~ (c. 1230-c. 1294), but the latter was probably not his tutor. He is the author of the _Tesoretto_, a heptasyllabic Italian poem, and the prose _Livres dou Tresor_, a sort of encyclopedia of medieval lore, written in French because that language "is more delightful and more widely known." [90] ~Christian of Troyes~. A French poet of the second half of the twelfth century, author of numerous narrative poems dealing with legends of the Round Table. The present quotation is from the _Cliges_, ll. 30-39. PAGE 69 [91] Chaucer's two favorite stanzas, the seven-line and eight-line stanzas in heroic verse, were imitated from Old French poetry. See B. ten Brink's _The Language and Meter of Chaucer_, 1901, pp. 353-57. [92] ~Wolfram von Eschenbach~. A medieval German poet, born in the end of the twelfth century. His best-known poem is the epic _Parzival_. PAGE 70 [93] From Dryden's _Preface to the Fables_, 1700. [94] The _Confessio Amantis_, the single English poem of ~John Gower~ (c. 1330-1408), was in existence in 1392-93. PAGE 71 [95] ~souded~. The French _soude_, soldered, fixed fast.[Arnold.] From the _Prioress's Tale_, ed. Skeat, 1894, B. 1769. The line should read, "O martir, souded to virginitee." PAGE 73 [96] ~Francois Villon~, born in or near Paris in 1431, thief and poet. His best-known poems are his _ballades_. See R.L. Stevenson's essay. [97] The name _Heaulmiere_ is said to be derived from a headdress (helm) worn as a mark by courtesans. In Villon's ballad, a poor old creature of this class laments her days of youth and beauty. The last stanza of the ballad runs thus: "Ainsi le bon temps regretons Entre nous, pauvres vieilles sottes, Assises bas, a croppetons, Tout en ung tas comme pelottes; A petit feu de chenevottes Tost allumees, tost estainctes. Et jadis fusmes si mignottes! Ainsi en prend a maintz et maintes." "Thus amongst ours
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