hich, she said, were just
written for me. During this year Calvary Literary society gave an
evening of song for the Ladies' Relief society, and among the numbers
of the programme was the Lost Chord, with piano and organ
accompaniment. Mrs. Henry Norton was soprano; Mrs. M.R. Blake,
contralto; C.L. Gage, bass; J. de S. Bettincourt, tenor; C. Howland,
second tenor; E. McD. Johnston, bass; Miss F.A. Dillaye, organist;
H.M. Bosworth, organ and piano, and Prof. Theo. Herzog, violin. It was
on this occasion that I sang the song of the Lost Chord, with organ
and piano.
Sometimes in recounting incidents in our lives we often wonder how
they began, as, in this instance, "I wonder who sang the Lost Chord
first on this coast?" In this article you have the answer.
PROF. FREDERICK KATZENBACH
Prof. Katzenbach was born in the city of Freimersheim, Germany, 1834.
He came to America at the age of sixteen. He again returned to Germany
when twenty years old and studied in Mainz, under Prof. E. Paner and
Thopelus Syfert. His first position as organist was in the city of
Schwabsburgh, Germany, at the age of twelve years, a position he held
until he came to America, four years later. In the seventies he was in
San Francisco. His first position as organist was at the Howard Street
Methodist Church. Later he went to the First Presbyterian Church in
Van Ness avenue, and in 1874 he was organist for St. John's Church in
Post street, Dr. Scott, pastor. The choir was composed of Mrs. Robert
Moore, soprano; Mrs. M.R. Blake, contralto; Joseph Maguire, tenor, and
Cornelius Makin, bass. From 1870 to 1873 he taught piano at Mills
seminary. During this time his wife passed out of life and he was left
with one daughter and three sons. He grieved so much at his loss that
he gave up his position and went East, but his love for California was
too strong and he returned in 1875. He took up his musical profession
once more and for a while was organist at Calvary Presbyterian Church,
Rev. John Hemphill, pastor. The choir consisted of Mrs. Van Brunt,
soprano; Mrs. M. Blake, contralto; Cornelius Makin, bass, and John
Trehane, tenor. Later he moved to Oakland and played in the First
Unitarian Church in Castro street. Some years after that he had an
organ at St. Paul's Church in Harrison street. For thirty-five years
he was engaged in the churches and teaching piano, and taught many
fine players in San Francisco, Oakland and other places. He never had
gott
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