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hich, she said, were just written for me. During this year Calvary Literary society gave an evening of song for the Ladies' Relief society, and among the numbers of the programme was the Lost Chord, with piano and organ accompaniment. Mrs. Henry Norton was soprano; Mrs. M.R. Blake, contralto; C.L. Gage, bass; J. de S. Bettincourt, tenor; C. Howland, second tenor; E. McD. Johnston, bass; Miss F.A. Dillaye, organist; H.M. Bosworth, organ and piano, and Prof. Theo. Herzog, violin. It was on this occasion that I sang the song of the Lost Chord, with organ and piano. Sometimes in recounting incidents in our lives we often wonder how they began, as, in this instance, "I wonder who sang the Lost Chord first on this coast?" In this article you have the answer. PROF. FREDERICK KATZENBACH Prof. Katzenbach was born in the city of Freimersheim, Germany, 1834. He came to America at the age of sixteen. He again returned to Germany when twenty years old and studied in Mainz, under Prof. E. Paner and Thopelus Syfert. His first position as organist was in the city of Schwabsburgh, Germany, at the age of twelve years, a position he held until he came to America, four years later. In the seventies he was in San Francisco. His first position as organist was at the Howard Street Methodist Church. Later he went to the First Presbyterian Church in Van Ness avenue, and in 1874 he was organist for St. John's Church in Post street, Dr. Scott, pastor. The choir was composed of Mrs. Robert Moore, soprano; Mrs. M.R. Blake, contralto; Joseph Maguire, tenor, and Cornelius Makin, bass. From 1870 to 1873 he taught piano at Mills seminary. During this time his wife passed out of life and he was left with one daughter and three sons. He grieved so much at his loss that he gave up his position and went East, but his love for California was too strong and he returned in 1875. He took up his musical profession once more and for a while was organist at Calvary Presbyterian Church, Rev. John Hemphill, pastor. The choir consisted of Mrs. Van Brunt, soprano; Mrs. M. Blake, contralto; Cornelius Makin, bass, and John Trehane, tenor. Later he moved to Oakland and played in the First Unitarian Church in Castro street. Some years after that he had an organ at St. Paul's Church in Harrison street. For thirty-five years he was engaged in the churches and teaching piano, and taught many fine players in San Francisco, Oakland and other places. He never had gott
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