rts with marked success, his playing being
particularly admired for the elegant and graceful style and his facile
technique. When Carlotta Patti visited the Pacific coast she
especially engaged him to act as her accompanist for her concert tour.
Although his time has mainly been devoted to teaching, he has found
opportunity to do clever and characteristic work as a composer.
Conspicuously successful have been his "Gata and Danga Habanera" and
his "Trip to Spain," the latter being for piano and orchestra. He has
written many piano compositions, two masses and a great deal of church
music, generally distinguished for its imaginative and musicianly
qualities. As a teacher, Senor Arrillaga has been remarkably
successful, and during his long sojourn in San Francisco he has
gathered about him a large coterie of pupils, to whom he is guide in
art and a valued personal friend.

[From "A Hundred Years of Music in America," published in 1889,
Chicago, by G.L. Howe and W.S.B. Matthews.]

MISS CARRIE HEINEMANN

Miss Heinemann was born in the city of New York, June 12, 1863. At the
age of thirteen she came with her parents to San Francisco, where her
father went into business on Leavenworth street. At the age of
fifteen, while visiting friends, her voice was tested under the
tuition of Miss Louisa Tourney, who successfully brought her out after
three years of study, so she was able to take her place as a leading
mezzo-soprano, suitable for church work and concert singing. The music
committee of the O Habai Sholom choir very promptly engaged her as
their soprano, a place which she successfully held for fifteen years.
During her time in this synagogue she was prominent in concerts and
festivals and sang at special services in different churches and
societies. During her singing career she was also a generous and
charitable singer and gave her services often to aid other churches,
societies and charities without regard to creed. I had the pleasure of
singing in the same choir with her. We were together six years with
the following members of the choir: Soprano, Carrie Heinemann;
contralto, Mrs. Blake-Alverson; basso, Mr. Mills; tenor, Mr. Newman,
and organist, G.A. Scott. On holidays extra singers assisted the
regular choir. I resigned from this choir to go to San Bernardino,
while she remained indefinitely. She married at that time. She still
continues her singing and assists the fraternal orders in San
Francisco, of which she i