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oped that nothing would intervene to stop her progress that had been so brilliantly begun. But my hopes did not avail. Before the bud had unfolded into maturity it was transplanted into the Garden of Eden above. Only those who have lost loved ones are able to feel how my heart's deepest sorrow went out with this young life. It was a pity that her notes could not have been recorded as they floated out into the still hour of the night. After her studies were over she would beg of me to join her in the song duets which we had perfected. When I reasoned with her not to sing, when so tired, like a spoiled child she pleaded. "My dear Lady Margaret, I am tired only with my studies, sing with me, I want to rest before I sleep." Who could resist the tender pleadings of the tired song bird. I called her my nightingale for her singing was done at night. One of her songs was the Nightingale's Trill or Queen of the Night. The memory of her singing ever lingers with me like the sweet perfume wafted from the distant isle, its subtle influence sinking upon the senses, calming the tired child as upon the mother's breast it rests in perfect peace and confidence. Its message accomplished, it floated away into space to travel on, and, forever until it reached the Giver of every perfect gift and rested in the Heavenly Courts above from everlasting to everlasting. Rest, weary pilgrim, from toil reposing, Night's darkening shadow round thee is closing, Drear is the pathway frowning before thee, No stars on high to guide and watch o'er me; Rest, weary pilgrim; rest, weary pilgrim. Rest, weary pilgrim, 'till morning breaking, And birds around thee bright songs awakening; Hark, through the forest chill winds are blowing, Here there is friendship and kind welcome glowing, Rest, weary pilgrim; rest, weary pilgrim. --Donizetti. PAULINE PETERSON The fourth discordant note in my instrument came to me by the death of one of my later pupils, Miss Pauline Peterson, who began with her sister, Miss Minnie Peterson, in 1896. She was fair to look upon and her voice was sweet and pure and in range two full octaves. She was a member of the English Lutheran church in Grove and Sixteenth streets, was one of the Christian Endeavor workers and Sabbath school teachers and her ambition was to sing in the choir and among the young people of the church. During the three years' directorship of the c
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