bliged to stay
outside in quarantine for three months. James II lodged at the
Bishop's Palace on his way to intercept the Prince of Orange, and
here, a month later, William III stayed in his turn while the previous
guest fled the country. It is said that on the day James arrived in
Salisbury an ornamental crown on the facade of the Council House fell
down.
[Illustration: LONGFORD CASTLE.]
Several delightful excursions can be taken in each direction from
Salisbury. Southwards one may proceed along the Avon valley by the
Fordingbridge road to Britford, passing East Harnham, where the fine
modern church is a memorial to Dean Lear. Britford church is of the
greatest interest to archaeologists, for within it are three arches
which have been claimed variously as Saxon and Roman work. The
remainder of the building is of the Decorated period. An altar tomb
was at one time supposed to contain the body of the executed Duke of
Buckingham. Longford Castle, the seat of the Earl of Radnor, is just
over a mile to the south. The magnificent park extends along the banks
of the Avon in scenery of much quiet beauty. The castle, although much
altered, dates from 1590, and contains a famous collection of
paintings and is especially rich in Holbein's works. Perhaps the most
celebrated of the many treasures housed at Longford is the "Imperial
Steel Chair," once the property of the emperor Rudulf II. It is one of
the most elaborate specimens of metal work in England. Rather more
than a mile west of Longford is the Early English church at Odstock.
It has a fine west tower and several points of interest. The pulpit
dated 1580 bears the following couplet:
"God bless and save our Royal Queen
The lyke on Earth was never seen."
The churchyard contains the grave of one Joseph Scamp, executed for a
crime to which he pleaded guilty; but really committed by his
son-in-law.
The route is now by a lane that follows the course of the river
through Charlton, with Clearbury Camp a mile away to the right, and on
to Downton where we cross the bridge to the large and interesting
cruciform church built at many different periods. The Transitional
nave becomes Early English at the east end and the transepts are made
up of Early English, Decorated and Perpendicular work. The chancel is
entirely of the last-named style and very fine in its proportions and
details. The Norman font of Purbeck marble should also be noticed. The
village was one of the ol
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