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bliged to stay outside in quarantine for three months. James II lodged at the Bishop's Palace on his way to intercept the Prince of Orange, and here, a month later, William III stayed in his turn while the previous guest fled the country. It is said that on the day James arrived in Salisbury an ornamental crown on the facade of the Council House fell down. [Illustration: LONGFORD CASTLE.] Several delightful excursions can be taken in each direction from Salisbury. Southwards one may proceed along the Avon valley by the Fordingbridge road to Britford, passing East Harnham, where the fine modern church is a memorial to Dean Lear. Britford church is of the greatest interest to archaeologists, for within it are three arches which have been claimed variously as Saxon and Roman work. The remainder of the building is of the Decorated period. An altar tomb was at one time supposed to contain the body of the executed Duke of Buckingham. Longford Castle, the seat of the Earl of Radnor, is just over a mile to the south. The magnificent park extends along the banks of the Avon in scenery of much quiet beauty. The castle, although much altered, dates from 1590, and contains a famous collection of paintings and is especially rich in Holbein's works. Perhaps the most celebrated of the many treasures housed at Longford is the "Imperial Steel Chair," once the property of the emperor Rudulf II. It is one of the most elaborate specimens of metal work in England. Rather more than a mile west of Longford is the Early English church at Odstock. It has a fine west tower and several points of interest. The pulpit dated 1580 bears the following couplet: "God bless and save our Royal Queen The lyke on Earth was never seen." The churchyard contains the grave of one Joseph Scamp, executed for a crime to which he pleaded guilty; but really committed by his son-in-law. The route is now by a lane that follows the course of the river through Charlton, with Clearbury Camp a mile away to the right, and on to Downton where we cross the bridge to the large and interesting cruciform church built at many different periods. The Transitional nave becomes Early English at the east end and the transepts are made up of Early English, Decorated and Perpendicular work. The chancel is entirely of the last-named style and very fine in its proportions and details. The Norman font of Purbeck marble should also be noticed. The village was one of the ol
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