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nes of the outer circle. Of these there were originally nineteen. [Illustration: PLAN OF STONEHENGE (RESTORED).] Near the centre is the so-called "altar stone," over fifteen feet long; in a line with this, through the opening of the ellipse, is the "Friar's Heel," a monolith standing outside the circles. The larger stones or "sarsens" are natural to the Marlborough Downs, but the unhewn or "blue" stones are mysterious. They are composed of a kind of igneous rock not found anywhere near Wiltshire. A suggestion by Professor Judd is that they are ice-borne boulders accidentally deposited on the Plain during the southward drift of the great ice cap. One of the sarsen stones is stained with copper oxide, and this fact has been taken to point to Stonehenge being erected somewhere in the Bronze Age--that is, not longer ago than 2000 B.C. Excavations about twenty years ago brought to light a number of stone tools, fragments of pottery, coins and bones. Belonging to a long period of time, the finds were inconclusive. It is quite possible that the ring of rough blue stones were erected by a primitive race of stone men and that a continuous tradition of sanctity clung to the spot until, in the time of those heirs and successors of theirs who used bronze weapons and were acquainted with the rudiments of engineering, the imposing temple that we call Stonehenge came into being. It will be well at this point to make brief reference to the interpretation placed on Stonehenge by various writers. Henry of Huntingdon (1150) calls it Stanhenges, and terms it the second wonder of England, but professes entire ignorance of its purpose and marvels at the method of its construction. Geoffrey of Monmouth (1150) ascribes its origin to the magic of Merlin who, at the instance of Aurelius Ambrosius, directed the invasion of Ireland under Uther Pendragon to obtain possession of the standing stones called the "Giants' Dance at Killaraus." Victory being with the invaders, the stones were taken and transported across the seas with the greatest ease with Merlin's help, and placed on Salisbury Plain as a memorial to the dead of Britain fallen in battle. Giraldus Cambrensis, Robert of Gloucester and Leland all give a similar explanation. About 1550, in Speed's _History of Britain_ and Stow's _Annals_, Merlin and the invasion of Ireland are dropped and sole credit given to Ambrosius for the erection. Thomas Fuller (1645) ridicules tradition and cons
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