nes of the
outer circle. Of these there were originally nineteen.
[Illustration: PLAN OF STONEHENGE (RESTORED).]
Near the centre is the so-called "altar stone," over fifteen feet
long; in a line with this, through the opening of the ellipse, is the
"Friar's Heel," a monolith standing outside the circles. The larger
stones or "sarsens" are natural to the Marlborough Downs, but the
unhewn or "blue" stones are mysterious. They are composed of a kind of
igneous rock not found anywhere near Wiltshire. A suggestion by
Professor Judd is that they are ice-borne boulders accidentally
deposited on the Plain during the southward drift of the great ice
cap. One of the sarsen stones is stained with copper oxide, and this
fact has been taken to point to Stonehenge being erected somewhere in
the Bronze Age--that is, not longer ago than 2000 B.C. Excavations
about twenty years ago brought to light a number of stone tools,
fragments of pottery, coins and bones. Belonging to a long period of
time, the finds were inconclusive. It is quite possible that the ring
of rough blue stones were erected by a primitive race of stone men and
that a continuous tradition of sanctity clung to the spot until, in
the time of those heirs and successors of theirs who used bronze
weapons and were acquainted with the rudiments of engineering, the
imposing temple that we call Stonehenge came into being.
It will be well at this point to make brief reference to the
interpretation placed on Stonehenge by various writers. Henry of
Huntingdon (1150) calls it Stanhenges, and terms it the second wonder
of England, but professes entire ignorance of its purpose and marvels
at the method of its construction. Geoffrey of Monmouth (1150)
ascribes its origin to the magic of Merlin who, at the instance of
Aurelius Ambrosius, directed the invasion of Ireland under Uther
Pendragon to obtain possession of the standing stones called the
"Giants' Dance at Killaraus." Victory being with the invaders, the
stones were taken and transported across the seas with the greatest
ease with Merlin's help, and placed on Salisbury Plain as a memorial
to the dead of Britain fallen in battle. Giraldus Cambrensis, Robert
of Gloucester and Leland all give a similar explanation. About 1550,
in Speed's _History of Britain_ and Stow's _Annals_, Merlin and the
invasion of Ireland are dropped and sole credit given to Ambrosius for
the erection. Thomas Fuller (1645) ridicules tradition and cons
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