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but of the most curious and instructive information.] CONTENTS OF THE FIRST VOLUME. * * * * * DANTE. CRITICAL NOTICE OF HIS LIFE AND GENIUS THE ITALIAN PILGRIMS PROGRESS I. The Journey through Hell II. Purgatory. III. Heaven PULCI. CRITICAL NOTICE OF HIS LIFE AND GENIUS HUMOURS OF GIANTS THE BATTLE OF RONCESVALLES APPENDIX. I. Story of Paulo and Francesca. Translation. II. Accounts given by different writers of the circumstances relating to Paulo and Francesca; concluding with the only facts ascertained. III. Story of Ugolino. Translation. Real Story of Ugolino, and Chaucer's feeling respecting the Poem. IV. Picture of Florence in the time of Dante's Ancestors. Translation. V. The Monks and the Giants VI. Passages in the Battle of Roncesvalles. DANTE Critical Notice OF DANTE'S LIFE AND GENIUS.[1] Dante was a very great poet, a man of the strongest passions, a claimant of unbounded powers to lead and enlighten the world; and he lived in a semi-barbarous age, as favourable to the intensity of his imagination, as it was otherwise to the rest of his pretensions. Party zeal, and the fluctuations of moral and critical opinion, have at different periods over-rated and depreciated his memory; and if, in the following attempt to form its just estimate, I have found myself compelled, in some important respects, to differ with preceding writers, and to protest in particular against his being regarded as a proper teacher on any one point, poetry excepted, and as far as all such genius and energy cannot in some degree help being, I have not been the less sensible of the wonderful nature of that genius, while acting within the circle to which it belongs. Dante was indeed so great a poet, and at the same time exhibited in his personal character such a mortifying exception to what we conceive to be the natural wisdom and temper of great poets; in other words, he was such a bigoted and exasperated man, and sullied his imagination with so much that is contradictory to good feeling, in matters divine as well as human; that I should not have thought myself justified in assisting, however humbly, to extend the influence of his writings, had I not believed a time to have arrived, when the community may profit both from the marvels of his power and the melancholy absurdity of its contradictions. Dante Alighieri, who has always be
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