tled his poem, arrogantly enough, yet still not with that impiety
of arrogance, "The Comedy of Dante Alighieri, a Florentine by nation but
not by habits." The word "divine" was added by some transcriber; and it
heaped absurdity on absurdity, too much of it, alas! being literally
infernal tragedy. I am not speaking in mockery, any further than the
fact itself cannot help so speaking. I respect what is to be respected
in Dante; I admire in him what is admirable; would love (if his
infernalities would let me) what is loveable; but this must not hinder
one of the human race from protesting against what is erroneous in his
fame, when it jars against every best feeling, human and divine. Mr.
Cary thinks that Dante had as much right to avail himself of "the
popular creed in all its extravagance" as Homer had of his gods, or
Shakspeare of his fairies. But the distinction is obvious. Homer did not
personally identify himself with a creed, or do his utmost to perpetuate
the worst parts of it in behalf of a ferocious inquisitorial church, and
to the risk of endangering the peace of millions of gentle minds.
The great poem thus misnomered is partly a system of theology, partly an
abstract of the knowledge of the day, but chiefly a series of passionate
and imaginative pictures, altogether forming an account of the author's
times, his friends, his enemies, and himself, written to vent the spleen
of his exile, and the rest of his feelings, good and bad, and to reform
church and state by a spirit of resentment and obloquy, which highly
needed reform itself. It has also a design strictly self-referential.
The author feigns, that the beatified spirit of his mistress has
obtained leave to warn and purify his soul by shewing him the state of
things in the next world. She deputes the soul of his master Virgil
to conduct him through hell and purgatory, and then takes him herself
through the spheres of heaven, where Saint Peter catechises and confirms
him, and where he is finally honoured with sights of the Virgin Mary, of
Christ, and even a glimpse of the Supreme Being!
His hell, considered as a place, is, to speak geologically, a most
fantastical formation. It descends from beneath Jerusalem to the centre
of the earth, and is a funnel graduated in circles, each circle being a
separate place of torment for a different vice or its co-ordinates, and
the point of the funnel terminating with Satan stuck into ice. Purgatory
is a corresponding m
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